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NEVER ASK A DINOSAUR TO DINNER

A silly bedtime read.

Rhyming text and boisterous art combine to deliver a string of humorous mini–cautionary tales leading up to a peaceful bedtime.

Opening spreads explain that it’s a poor idea to invite a dinosaur to dinner “Because a T. rex is ferocious / And his manners are atrocious, / And you’ll find that if he’s able… // He will eat the kitchen table!” The art accompanying this text depicts a young boy observing the T. Rex’s dinnertime antics while his mother looks on, aghast, and then faints. The text makes no comment regarding race or culture, but the illustrations depict mother and child with brown skin and dark hair—and these aren’t pusillanimous, tokenistic representations that give way to multicultural depictions of diverse children in subsequent scenes. Instead, ensuing pages follow the same boy through his nighttime routine and warn against sharing one’s toothbrush with a shark, letting a beaver in a sink, using a tiger for a towel, choosing a bison for a blanket and letting a barn owl in one’s bed. Humorous consequences for such scenarios are described in the text while illustrations rendered in bright colors and with energetic lines enhance the comic mood. As the boy hunkers down for sleep at book’s end, a teddy bear is deemed an acceptable animal companion for drifting off to sleep, and a herd of sheep for counting creates a pleasing closing scene.

A silly bedtime read. (Picture book. 3-5)

Pub Date: April 28, 2015

ISBN: 978-0-545-81296-2

Page Count: 32

Publisher: Scholastic

Review Posted Online: Feb. 2, 2015

Kirkus Reviews Issue: Feb. 15, 2015

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OLIVER AND HIS EGG

Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for...

Oliver, of first-day-of-school alligator fame, is back, imagining adventures and still struggling to find balance between introversion and extroversion.

“When Oliver found his egg…” on the playground, mint-green backgrounds signifying Oliver’s flight into fancy slowly grow larger until they take up entire spreads; Oliver’s creature, white and dinosaurlike with orange polka dots, grows larger with them. Their adventures include sharing treats, sailing the seas and going into outer space. A classmate’s yell brings him back to reality, where readers see him sitting on top of a rock. Even considering Schmid’s scribbly style, readers can almost see the wheels turning in his head as he ponders the girl and whether or not to give up his solitary play. “But when Oliver found his rock… // Oliver imagined many adventures // with all his friends!” This last is on a double gatefold that opens to show the children enjoying the creature’s slippery curves. A final wordless spread depicts all the children sitting on rocks, expressions gleeful, wondering, waiting, hopeful. The illustrations, done in pastel pencil and digital color, again make masterful use of white space and page turns, although this tale is not nearly as funny or tongue-in-cheek as Oliver and His Alligator (2013), nor is its message as clear and immediately accessible to children.

Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for all children but sadly isn’t. (Picture book. 3-5)

Pub Date: July 1, 2014

ISBN: 978-1-4231-7573-5

Page Count: 40

Publisher: Disney-Hyperion

Review Posted Online: May 18, 2014

Kirkus Reviews Issue: June 1, 2014

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ONE MORE DINO ON THE FLOOR

It’s a bit hard to dance, or count, to this beat.

Dinos that love to move and groove get children counting from one to 10—and perhaps moving to the beat.

Beginning with a solo bop by a female dino (she has eyelashes, doncha know), the dinosaur dance party begins. Each turn of the page adds another dino and a change in the dance genre: waltz, country line dancing, disco, limbo, square dancing, hip-hop, and swing. As the party would be incomplete without the moonwalk, the T. Rex does the honors…and once they are beyond their initial panic at his appearance, the onlookers cheer wildly. The repeated refrain on each spread allows for audience participation, though it doesn’t easily trip off the tongue: “They hear a swish. / What’s this? / One more? / One more dino on the floor.” Some of the prehistoric beasts are easily identifiable—pterodactyl, ankylosaurus, triceratops—but others will be known only to the dino-obsessed; none are identified, other than T-Rex. Packed spreads filled with psychedelically colored dinos sporting blocks of color, stripes, or polka dots (and infectious looks of joy) make identification even more difficult, to say nothing of counting them. Indeed, this fails as a counting primer: there are extra animals (and sometimes a grumpy T-Rex) in the backgrounds, and the next dino to join the party pokes its head into the frame on the page before. Besides all that, most kids won’t get the dance references.

It’s a bit hard to dance, or count, to this beat. (Picture book. 3-5)

Pub Date: March 1, 2016

ISBN: 978-0-8075-1598-3

Page Count: 32

Publisher: Whitman

Review Posted Online: Jan. 19, 2016

Kirkus Reviews Issue: Feb. 1, 2016

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