Pairing art from an earlier, self-published edition to a newly adapted text, Hinds retells the old tale as a series of dark, bloody, chaotic clashes. Here Grendel is a glaring, black monster with huge teeth, corded muscles and a tendency to smash or bite off adversaries’ heads; the dragon is all sinuous viciousness; and Beowulf, mighty of thew, towers over his fellow Geats. The narrative, boxed off from the illustrations rather than incorporated into them, runs to lines like, “Bid my brave warriors O Wiglaf, to build a lofty cairn for me upon the sea-cliffs . . . ” and tends to disappear when the fighting starts. Because the panels are jumbled together on the page, the action is sometimes hard to follow, but this makes a strongly atmospheric alternative to the semi-abstract Beowulf, the Legend, by Stephen L. Antczak and James C. Bassett, illus by Andy Lee (2006), or the more conventionally formatted version of Michael Morpurgo, with pictures by Michael Foreman (2006). (Graphic fiction. 12-15)
Pub Date: April 1, 2007
ISBN: 978-0-7636-3022-5
Page Count: 128
Publisher: Candlewick
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 15, 2007
A charming adaptation.
A miscommunication leaves Matthew and Marilla Cuthbert responsible for a plucky, effusive orphan girl instead of the boy they’d expected to help maintain their farm.
Retold in traditional manga format, with right-to-left panel orientation and detailed black-and-white linework, this adaptation is delightfully faithful to the source text. Larger panels establish the idyllic country landscape while subtle text boxes identify the setting—Prince Edward Island, Canada, in the 1870s. The book follows redheaded Anne Shirley from her arrival at Green Gables at 11 to her achievement of a college scholarship. In the intervening years, Anne finds stability, friendship, personal growth, and ambition in Avonlea and in the strict but well-intentioned Cuthbert siblings’ household. The familiar story is enhanced by the exciting new format and lush illustrations. A variety of panel layouts provides visual freshness, maintaining reader interest. Backmatter includes the floor plan of the Green Gables house, as well as interior and exterior views, and notes about research on the actual location. A description of the process of adapting the novel to this visual format indicates the care that was taken to highlight particular elements of the story as well as to remain faithful to the smallest details. Readers who find the original text challenging will welcome this as an aid to comprehension and Anne’s existing fans will savor a fresh perspective on their beloved story. All characters appear to be White.
A charming adaptation. (Graphic fiction. 12-14)Pub Date: Sept. 1, 2020
ISBN: 978-1-947808-18-8
Page Count: 308
Publisher: Manga Classics
Review Posted Online: Aug. 18, 2020
Kirkus Reviews Issue: Sept. 1, 2020
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
Puerile and odd, this concept doesn’t float. (Graphic fiction. 12-15)
He’s a teen... and a boat.
This overly ambitious and often downright odd graphic novel introduces the not-too-creatively named Teen Boat. This is a young man for whom the ordinary trials and tribulations of adolescence are amplified by his bizarre nautical alter-ego, which he turns into if he gets any liquid in his ear. In an effort to fit in at his stereotypical high school where the jocks get the hot girls, the punk kids are anarchists and the goth kids moodily mope around, Teen Boat tries to use his transforming abilities to achieve popularity. He lets the in-crowd throw a party on him when he is in his boat form; this, of course, ends disastrously. He tries to get a driver’s license, but his jerky driving maneuvers lead to his evaluator’s coffee accidentally spilling in his ear, resulting in a calamitous outcome. This is very much a comic for adolescent boys: Humor is often sophomoric, and most of the girls—with the exception of Teen Boat’s best friend—are busty caricatures. While some of the jokes will indeed induce a chuckle or two, many are stretched to the point of exhaustion, leaving readers ho-humming rather than haw-hawing. The peculiar concept and campy jokes create a strange blend, sort of Archie meets the Transformers—a puzzling combination, indeed.
Puerile and odd, this concept doesn’t float. (Graphic fiction. 12-15)Pub Date: May 8, 2012
ISBN: 978-0-547-63669-6
Page Count: 144
Publisher: Clarion Books
Review Posted Online: Feb. 14, 2012
Kirkus Reviews Issue: March 1, 2012
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