Greenwell—such a finely tuned, generous writer—transforms a savage illness into a meditation on a vital life.
Greenwell, who has written so evocatively about desire and sex in What Belongs to You (2016) and Cleanness (2020), now probes something quite different: life-threatening illness.
With no warning and a violent eruption of pain so intense it felt like someone “plunged a hand into [his] gut and grabbed hold and yanked,” the narrator suffers an infrarenal aortic dissection—a tear of the inner layer of his aorta. It’s a sometimes fatal malady that usually happens to people older than the narrator, who’s in his 40s. Deeply reluctant during the pandemic to go to the hospital in Iowa City, he endures the pain at home until his partner, L, convinces him to get treatment. The medical staff is alarmed, and also titillated, by encountering such a rare malady. The narrator of this autofiction endures lab test after lab test and must learn how to be powerless—how, for example, to refrain from using the bathroom near his ICU bed by himself or how to walk there without tangling the many wires and IV lines threaded from his body. As usual in a Greenwell novel, the tangents are tantalizing, and with so much time spent inert and left to ponder, the narrator finds his imagination flying beyond his hospital bed to the fracturing of his family, his life with and love for L, and the implications of their disastrous home renovations. But this is a novel about bodies and how weird they are, and Greenwell often returns to thinking about them. “What a strange thing a body is,” he writes, “…and how strange to have hated it so much, when it had always been so serviceable, when it had done more or less everything I had needed until now, when for more than forty years it had worked so well.” There’s more suspense here than in Greenwell’s previous work, as the reader is eager to discover the outcome of the narrator’s illness: How will he get out of the ICU and return to life?
Greenwell—such a finely tuned, generous writer—transforms a savage illness into a meditation on a vital life.Pub Date: Sept. 3, 2024
ISBN: 9780374279547
Page Count: 320
Publisher: Farrar, Straus and Giroux
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
PERSPECTIVES
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
A sweet bedtime story.
A boy and his stuffed bear head into the woods.
Having captured readers’ attention with Born a Crime (2016), his bestselling memoir of growing up in South Africa, comedian and television host Noah has written a parable about decision-making. As he puts it in a brief prologue, “It’s about disagreements and difference—but it’s also about how we bridge those gaps and find what matters most, whether we’re parents or kids, neighbors, gnomes, or political adversaries. It’s a picture book, but it’s not a children’s book. Rather, it is a book for kids to share with parents and for parents to share with kids.” With plentiful illustrations by Hahn and in language aimed at young listeners, it tells the story of a small boy so impatient to start his Saturday adventures that he rebels against the rules of his household and heads out without brushing his teeth or making his bed, despite the reminders of his stuffed bear, Walter. “We can’t just run away,” protests the bear. “Your mother will miss you. And where will we sleep? And who will make us waffles?” “We’ll build our own house,” the boy responds. “And we’ll grow our own waffles!” From there, the pair go on their walkabout, encountering a garden gnome, a pair of snails, and a gang of animated coins who have lessons to offer about making choices. Though the author suggests in the introduction that adult readers might enjoy the book on their own, those looking for a follow-up to the memoir or a foray into adult fiction should be warned that this is not that book.
A sweet bedtime story.Pub Date: Oct. 8, 2024
ISBN: 9780593729960
Page Count: 128
Publisher: One World/Random House
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
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