A must-read, must-discuss that will speak to children and linger with adults.
Lynching: a strange and difficult but important topic for a song—and for this picture book.
Golio crafts an honest biography of African-American jazz singer Billie Holiday, whose light skin, penchant for improvisation, and commitment to social justice often made her the center of heated controversy. As Holiday once said: “Somebody once said we never know what is enough until we know what’s more than enough.” As “one of the first black singers to work in an all-white band,” Billie excelled until her handlers asked her never to talk with customers or walk alone, to use service elevators, and to stay upstairs until performance time—all to convince white patrons that the venues where she sang remained racially segregated. When Jewish songwriter Abel Meeropol wrote “Strange Fruit,” about the lynching of blacks, for Billie to perform, Meeropol’s rendition of it failed to move her. Once she made it her own, however, she stunned audiences with her performance. This picture book emphasizes that the arts not only entertain, but can also be powerful change agents. Riley-Webb’s moving, richly textured illustrations, rendered in acrylics with tissue collages on canvas paper, reflect the constant motion of jazz and the striking excitement of improvisation. The informative backmatter expands upon Holiday’s biographical details and offers narrative explanations of source quotes.
A must-read, must-discuss that will speak to children and linger with adults. (Picture book/biography. 8-12)Pub Date: Feb. 1, 2017
ISBN: 978-1-4677-5123-0
Page Count: 40
Publisher: Millbrook/Lerner
Review Posted Online: Nov. 1, 2016
Kirkus Reviews Issue: Nov. 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...
A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.
Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.Pub Date: Oct. 15, 1952
ISBN: 978-0-06-026385-0
Page Count: 192
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 14, 2011
Kirkus Reviews Issue: Oct. 1, 1952
PERSPECTIVES
SEEN & HEARD
An insubstantial story that offers a prosocial message.
Two boys equally blessed with both talent and ego vie for supremacy in their school’s annual “creative storytelling competition.”
J is “by far the best artist in the entire fifth grade”; K has “become known as the best writer in the entire fifth grade.” Naturally, each one is determined to crush it in The Contest, and each decides an illustrated story is the way to go. The competitive boys try to undermine one another by passing along fake tips for success, each hoping to destroy his opponent’s story. K advises J to “write what you DON’T know” and to use sixth-person narration. “J’s Secrets to Drawing Really Good” are just as catastrophic and include drawing with your nondominant hand and inserting mistakes to keep readers engaged. Creative hijinks ensue. Craft and Alexander have become known on social media for the jocular trash talk they heap on each other; J and K are their fictional child avatars. As an internet bit doled out in small doses, their frenemy-ship is amusing; as a sustained story about storytelling, it’s thin on both character and plot development. Authorial interjections exhort readers to look up 75-cent vocabulary, often used in barbs directed at each other; the latter feel like in-jokes more than playful attempts to engage young readers. Kids may enjoy spotting references to popular children’s authors among the characters’ names, and budding authors and illustrators will benefit from the advice. J and K are both Black; their classmates and teachers are racially diverse.
An insubstantial story that offers a prosocial message. (Fiction. 8-12)Pub Date: May 6, 2025
ISBN: 9780316582681
Page Count: 240
Publisher: Little, Brown
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
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