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STRANGE FRUIT

BILLIE HOLIDAY AND THE POWER OF A PROTEST SONG

A must-read, must-discuss that will speak to children and linger with adults.

Lynching: a strange and difficult but important topic for a song—and for this picture book.

Golio crafts an honest biography of African-American jazz singer Billie Holiday, whose light skin, penchant for improvisation, and commitment to social justice often made her the center of heated controversy. As Holiday once said: “Somebody once said we never know what is enough until we know what’s more than enough.” As “one of the first black singers to work in an all-white band,” Billie excelled until her handlers asked her never to talk with customers or walk alone, to use service elevators, and to stay upstairs until performance time—all to convince white patrons that the venues where she sang remained racially segregated. When Jewish songwriter Abel Meeropol wrote “Strange Fruit,” about the lynching of blacks, for Billie to perform, Meeropol’s rendition of it failed to move her. Once she made it her own, however, she stunned audiences with her performance. This picture book emphasizes that the arts not only entertain, but can also be powerful change agents. Riley-Webb’s moving, richly textured illustrations, rendered in acrylics with tissue collages on canvas paper, reflect the constant motion of jazz and the striking excitement of improvisation. The informative backmatter expands upon Holiday’s biographical details and offers narrative explanations of source quotes.

A must-read, must-discuss that will speak to children and linger with adults. (Picture book/biography. 8-12)

Pub Date: Feb. 1, 2017

ISBN: 978-1-4677-5123-0

Page Count: 40

Publisher: Millbrook/Lerner

Review Posted Online: Nov. 1, 2016

Kirkus Reviews Issue: Nov. 15, 2016

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WAR GAMES

Fast-paced and plot-driven.

In his latest, prolific author Gratz takes on Hitler’s Olympic Games.

When 13-year-old American gymnast Evie Harris arrives in Berlin to compete in the 1936 Olympic Games, she has one goal: stardom. If she can bring home a gold medal like her friend, the famous equestrian-turned-Hollywood-star Mary Brooks, she might be able to lift her family out of their Dust Bowl poverty. But someone slips a strange note under Evie’s door, and soon she’s dodging Heinz Fischer, the Hitler Youth member assigned to host her, and meeting strangers who want to make use of her gymnastic skills—to rob a bank. As the games progress, Evie begins to see the moral issues behind their sparkling facade—the antisemitism and racism inherent in Nazi ideology and the way Hitler is using the competition to support and promote these beliefs. And she also agrees to rob the bank. Gratz goes big on the Mission Impossible–style heist, which takes center stage over the actual competitions, other than Jesse Owens’ famous long jump. A lengthy and detailed author’s note provides valuable historical context, including places where Gratz adapted the facts for storytelling purposes (although there’s no mention of the fact that before 1952, Olympic equestrian sports were limited to male military officers). With an emphasis on the plot, many of the characters feel defined primarily by how they’re suffering under the Nazis, such as the fictional diver Ursula Diop, who was involuntarily sterilized for being biracial.

Fast-paced and plot-driven. (Historical fiction. 9-12)

Pub Date: Oct. 7, 2025

ISBN: 9781338736106

Page Count: 368

Publisher: Scholastic

Review Posted Online: Aug. 2, 2025

Kirkus Reviews Issue: Sept. 1, 2025

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CHARLOTTE'S WEB

The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...

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A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.

Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.

The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.

Pub Date: Oct. 15, 1952

ISBN: 978-0-06-026385-0

Page Count: 192

Publisher: Harper/HarperCollins

Review Posted Online: Sept. 14, 2011

Kirkus Reviews Issue: Oct. 1, 1952

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