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RESENTMENT

Novelist, essayist, and playwright Indiana (Rent Boy, 1994; Gone Tomorrow, 1993, etc.) brings together the insane events and natural disasters of our day in a novel that's most emphatically not a roman Ö clef but a fiction in which real life serves as ``honorary ballast for an entirely speculative'' narrative. The subject is death, Los Angelesstyle, and at story's center is the ongoing murder trial of two brothers who are accused of shooting their parents to death in what prosecutors claim was cold- blooded murder for inheritance, and what the defense claims was a preemptive strike against a sexually abusive father and his enabling wife. Sound familiar? Transcripts of the trial punctuate Indiana's larger narrative, which mainly follows the experiences of Seth, a gay East Coast journalist on assignment to cover the high- profile courtroom antics. Panoramic in scope, with all the sub- stories loosely linked, this pansexual melodrama seems to suggest that we're all killers in one fashion or another, and that father- son incest is at the root of much maladjusted behavior. Indiana waxes ironic about a wide range of types, from the presiding judge's secret life as a stalker to a taxi driver with AIDS whose affair with some rough trade is far more dangerous than he realizes. There's also the son of the washed-up soap star, who casually kills male tricks; the key trial witness with a bad case of Tourette's; and an overweight housewife who hopes to leave her husband for one of the brothers. Seth finds that violent dreams and tacky realities are hopelessly intertwined in California. Indiana's wickedest cuts, though, are reserved for the minor players, especially the on-target jabs at characters who resemble Dominick Dunne, Kathy Acker, and Jamaica Kincaid, to name a few. The clever parts never add up to a convincing whole here, just lots of trite (if acidic) riffs on our peculiarly skewed culture. (Author tour)

Pub Date: July 1, 1997

ISBN: 0-385-48429-1

Page Count: 320

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 1997

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TELL ME LIES

There are unforgettable beauties in this very sexy story.

Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."

Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.

There are unforgettable beauties in this very sexy story.

Pub Date: June 12, 2018

ISBN: 978-1-5011-6964-9

Page Count: 352

Publisher: Atria

Review Posted Online: March 19, 2018

Kirkus Reviews Issue: April 1, 2018

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TRUE COLORS

Above-average formula fiction, making full display of the author’s strong suits: sense of place, compassion for characters...

Female rivalry is again the main preoccupation of Hannah’s latest Pacific Northwest sob saga (Firefly Lane, 2008, etc.).

At Water’s Edge, the family seat overlooking Hood Canal, Vivi Ann, youngest and prettiest of the Grey sisters and a champion horsewoman, has persuaded embittered patriarch Henry to turn the tumbledown ranch into a Western-style equestrian arena. Eldest sister Winona, a respected lawyer in the nearby village of Oyster Shores, hires taciturn ranch hand Dallas Raintree, a half-Native American. Middle sister Aurora, stay-at-home mother of twins, languishes in a dull marriage. Winona, overweight since adolescence, envies Vivi, whose looks get her everything she wants, especially men. Indeed, Winona’s childhood crush Luke recently proposed to Vivi. Despite Aurora’s urging (her principal role is as sisterly referee), Winona won’t tell Vivi she loves Luke. Yearning for Dallas, Vivi stands up Luke to fall into bed with the enigmatic, tattooed cowboy. Winona snitches to Luke: engagement off. Vivi marries Dallas over Henry’s objections. The love-match triumphs, and Dallas, though scarred by child abuse, is an exemplary father to son Noah. One Christmas Eve, the town floozy is raped and murdered. An eyewitness and forensic evidence incriminate Dallas. Winona refuses to represent him, consigning him to the inept services of a public defender. After a guilty verdict, he’s sentenced to life without parole. A decade later, Winona has reached an uneasy truce with Vivi, who’s still pining for Dallas. Noah is a sullen teen, Aurora a brittle but resigned divorcée. Noah learns about the Seattle Innocence Project. Could modern DNA testing methods exonerate Dallas? Will Aunt Winona redeem herself by reopening the case? The outcome, while predictable, is achieved with more suspense and less sentimental histrionics than usual for Hannah.

Above-average formula fiction, making full display of the author’s strong suits: sense of place, compassion for characters and understanding of family dynamics.

Pub Date: Feb. 9, 2009

ISBN: 978-0-312-36410-6

Page Count: 400

Publisher: St. Martin's

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Oct. 15, 2008

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