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I’M FROM

An origin story for the ages—intimate, poetic, singular, and broadly relatable.

For some, “Where are you from?” has a geographical answer, but this kid offers a thoughtful and poignant alternative perspective.

As the Black narrator begins the day, waking in a toy- and book-filled room and rising from a bed covered by a tapestry that showcases the layered textured papers and gouache paints of Mora’s illustrations, he recalls where—and what and who—he comes from. It’s an ostensibly average day—enjoying a favorite breakfast of pan-fried bologna and pancakes with the fam, admiring the assortment of hairstyles on the school bus, from his own fade to the “laid edges” of a peer, hearing raucous kids earning a stern word from the bus driver, and making it through a long school day of learning. But the boy also encounters racialized comments—scribbled in frenetic large type across a full-page spread—from the other kids that make him visibly uncomfortable: “Can I touch your hair?” “You don’t sound Black.” “Where are you from?” But the answers he ultimately offers readers are as tasty as “buttermilk biscuits” or as touching as “bear-tight cuddles,” as soft as pecks on the cheek or as far-reaching as the hopes and dreams of his family. (This book was reviewed digitally.)

An origin story for the ages—intimate, poetic, singular, and broadly relatable. (Picture book. 4-8)

Pub Date: Sept. 19, 2023

ISBN: 9780063089969

Page Count: 40

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: July 13, 2023

Kirkus Reviews Issue: Aug. 1, 2023

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THE LITTLE GHOST WHO WAS A QUILT

From the Little Ghost Quilt Book series

Halloween is used merely as a backdrop; better holiday titles for young readers are available.

A ghost learns to appreciate his differences.

The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)

Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-7352-6447-2

Page Count: 48

Publisher: Tundra Books

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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THE HALLOWEEN TREE

Just the thing for anyone with a Grinch-y tree of their own in the yard.

A grouchy sapling on a Christmas tree farm finds that there are better things than lights and decorations for its branches.

A Grinch among the other trees on the farm is determined never to become a sappy Christmas tree—and never to leave its spot. Its determination makes it so: It grows gnarled and twisted and needle-less. As time passes, the farm is swallowed by the suburbs. The neighborhood kids dare one another to climb the scary, grumpy-looking tree, and soon, they are using its branches for their imaginative play, the tree serving as a pirate ship, a fort, a spaceship, and a dragon. But in winter, the tree stands alone and feels bereft and lonely for the first time ever, and it can’t look away from the decorated tree inside the house next to its lot. When some parents threaten to cut the “horrible” tree down, the tree thinks, “Not now that my limbs are full of happy children,” showing how far it has come. Happily for the tree, the children won’t give up so easily, and though the tree never wished to become a Christmas tree, it’s perfectly content being a “trick or tree.” Martinez’s digital illustrations play up the humorous dichotomy between the happy, aspiring Christmas trees (and their shoppers) and the grumpy tree, and the diverse humans are satisfyingly expressive.

Just the thing for anyone with a Grinch-y tree of their own in the yard. (Picture book. 4-8)

Pub Date: Aug. 6, 2019

ISBN: 978-1-4926-7335-4

Page Count: 32

Publisher: Sourcebooks Jabberwocky

Review Posted Online: July 13, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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