by Gayle E. Pitman ; illustrated by Laure Fournier ‧ RELEASE DATE: May 1, 2018
A humorous, upbeat look at a contemporary church community where all are welcome.
This cheerful introduction to attending a Sunday-morning church service provides an overview of the experience in an inclusive, liberal Christian church.
The story opens with two dads (one white, one black) serving breakfast to their daughters, who are black. The family walks to church, meeting other adults and children of many ages, ethnicities, and body types as the congregation gathers. The huge cast of characters entering the church includes gay and lesbian couples, several people with canes, a child using a wheelchair, interracial families, and people with all sorts of looks, including shaved heads, mohawks, and tattoos. The church choir and the black pastor wear traditional robes, but the décor of the church is upbeat and contemporary, with banners proclaiming the welcoming and inclusive philosophy of this congregation. A simple, rhyming text describes some of the aspects of the worship service and different kinds of church members, with a repeated refrain emphasizing this church is for everyone. A cross is displayed at the front of the church, and one banner reads “God’s Doors Are Open to All,” but God and Jesus are not mentioned in the text. Cheerful, busy illustrations expand the minimal text with the intriguing cast of definitely diverse churchgoers, charmingly including children who can’t sit still. An author’s note explains the story was inspired by the Glide Memorial Church in San Francisco.
A humorous, upbeat look at a contemporary church community where all are welcome. (Picture book/religion. 4-7)Pub Date: May 1, 2018
ISBN: 978-0-8075-1179-4
Page Count: 32
Publisher: Whitman
Review Posted Online: March 3, 2018
Kirkus Reviews Issue: March 15, 2018
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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