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THE STONEWALL RIOTS

COMING OUT IN THE STREETS

A user-friendly look at a watershed event and its context. (index) (Nonfiction. 11-14)

A substantive look at a key moment in the history of the LGBTQIAP–equality movement.

Pitman provides readers with a well-rounded look at gay and lesbian—and to a somewhat lesser extent transgender—life in America in the 1950s, ’60s, and ’70s. She smartly uses the introduction to remind young readers that the term “LGBTQ+” is an evolving one and notes that source materials through the account may use various versions of the initialism. Organized around “objects” (often photos, sometimes cultural touchstones), the book begins with the construction of what would become the Stonewall and briefly touches on gay and lesbian life pre-1940s, but the story begins to delve deeply into the movement in the 1950s. Along the way, Pitman deftly weaves in social issues of the time—women’s liberation, the Black Power movement, El Movimiento, etc.—along with frank discussions of the ideological weaknesses sometimes found in the gay community: racism, transphobia, internalized homophobia, and misogyny. The story provides a balanced if somewhat scattered account. For all it does well, Pitman’s narrative has a tendency to meander, and some parts feel repetitive. The backmatter alone is almost worth the purchase price, as it includes a timeline, footnotes, and a healthy bibliography. The book makes good use of images throughout the text, but the absence of captions for some photos is an irritant, and image credits do not take up the slack.

A user-friendly look at a watershed event and its context. (index) (Nonfiction. 11-14)

Pub Date: May 14, 2019

ISBN: 978-1-4197-3720-6

Page Count: 208

Publisher: Abrams

Review Posted Online: March 16, 2019

Kirkus Reviews Issue: April 1, 2019

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GIVE ME LIBERTY!

THE STORY OF THE DECLARATION OF INDEPENDENCE

If Freedman wrote the history textbooks, we would have many more historians. Beginning with an engrossing description of the Boston Tea Party in 1773, he brings the reader the lives of the American colonists and the events leading up to the break with England. The narrative approach to history reads like a good story, yet Freedman tucks in the data that give depth to it. The inclusion of all the people who lived during those times and the roles they played, whether small or large are acknowledged with dignity. The story moves backwards from the Boston Tea Party to the beginning of the European settlement of what they called the New World, and then proceeds chronologically to the signing of the Declaration. “Your Rights and Mine” traces the influence of the document from its inception to the present ending with Martin Luther King and the Civil Rights movement of the 1960s. The full text of the Declaration and a reproduction of the original are included. A chronology of events and an index are helpful to the young researcher. Another interesting feature is “Visiting the Declaration of Independence.” It contains a short review of what happened to the document in the years after it was written, a useful Web site, and a description of how it is displayed and protected today at the National Archives building in Washington, D.C. Illustrations from the period add interest and detail. An excellent addition to the American history collection and an engrossing read. (Nonfiction. 9-13)

Pub Date: Oct. 1, 2000

ISBN: 0-8234-1448-5

Page Count: 112

Publisher: Holiday House

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Oct. 1, 2000

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VAQUEROS

AMERICA’S FIRST COWBOYS

Logically pointing out that the American cowboy archetype didn’t spring up from nowhere, Sandler, author of Cowboys (1994) and other volumes in the superficial, if luxuriously illustrated, “Library of Congress Book” series, looks back over 400 years of cattle tending in North America. His coverage ranges from the livestock carried on Columbus’s second voyage to today’s herding-by-helicopter operations. Here, too, the generous array of dramatic early prints, paintings, and photos are more likely to capture readers’ imaginations than the generality-ridden text. But among his vague comments about the characters, values, and culture passed by Mexican vaqueros to later arrivals from the Eastern US, Sadler intersperses nods to the gauchos, llaneros, and other South American “cowmen,” plus the paniolos of Hawaii, and the renowned African-American cowboys. He also decries the role film and popular literature have played in suppressing the vaqueros’ place in the history of the American West. He tackles an uncommon topic, and will broaden the historical perspective of many young cowboy fans, but his glance at modern vaqueros seems to stop at this country’s borders. Young readers will get a far more detailed, vivid picture of vaquero life and work from the cowboy classics in his annotated bibliography. (Notes, glossary, index) (Nonfiction. 10-12)

Pub Date: Jan. 15, 2001

ISBN: 0-8050-6019-7

Page Count: 116

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 2000

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