A spiritual, intriguing, though somewhat uneven take on life, grief, and healing.
A high school senior returns to her family home—after she’s been dead for years.
Forman’s ability to capture the voices of teens shines in this heart-wrenching story of Amber Crane’s life, death, and (sort of) undeath. Amber, who reads white, died seven years ago, but on this day just before graduation, she’s standing in her family home, seemingly alive. The first people to see Amber are her mother—who, clearly in shock, starts screaming—and her younger sister, Missy, who’s now a blue-haired teenager. Amber doesn’t even realize she’s supposed to be dead until Missy tells her so. And that’s when the work of trying to make sense of what Amber’s doing here kicks into gear. Told from myriad points of view—so many, one could get lost—the novel threads together the lives of people in Amber’s orbit (and even some who didn’t know her directly), incorporating current-day perspectives as well as ones from the past. The story even goes as far back as 29 years, to the day when Amber’s parents met. While some of the backstory feels extraneous, and the chapters written from adults’ perspectives feel less compelling than those of the teen lead, Forman continually returns to Amber’s point of view, grounding her as the heart of this story, a necessary device to keep readers invested in the enduring question: Why is she back?
A spiritual, intriguing, though somewhat uneven take on life, grief, and healing. (author’s note) (Fiction. 14-18)Pub Date: Jan. 7, 2025
ISBN: 9780063346147
Page Count: 272
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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