A mixed bag, then, of some interest to armchair travelers, if not to Weird Girls everywhere.
Travels in search of the merely exotic.
Debut author Forman, well known to readers of Seventeen, takes a teenager’s delight in casting herself as an outcast, a “Weird Girl” whose journeys tend to involve adoption by immigrant florists or drag queens or street performers, and who has thus seen several countries from perspectives generally denied the casual tourist. When she and her husband decide to spend a year wandering from one remote outpost to another in the wake of 9/11, the two—accompanied, sad to say, by big-wheeled suitcases to which they’d given names—naturally drift into some unusual circles. In Tonga, for instance (which Forman inaccurately describes as “rarely visited by tourists,” even though in the year of her visit there was one tourist for every three natives), she spends time among “fakaleiti, a strange third gender of half-men, half-women” who apparently fit right into Tongan society until the arrival of “American-style religious fundamentalism.” Presto: thanks to the Mormons, Tongans now know that they’re out of touch with the civilized world. Just so, in Beijing a doctor collars her into correcting an English phrasebook he’s been writing, even though he doesn’t know much English (sample phrase: “Is this the file you desired?” “Not that file, you retard”); the doctor’s lack of sophistication, Forman writes, will cost him, for whereas by her account Chinese don’t much care about the niceties of grammar, they do care about what it means to be an American, just as Tanzanian teenagers have made a near-Derridaean study of the collected works of Vanilla Ice. Forman writes breezily and pleasantly, though some of her set pieces go on too long and run out of steam. Her book, too, could have benefited from a more closely followed overarching theme of the kind that Franklin Foer worked so effectively in his globalism-dissecting How Soccer Explains the World (2004), which makes many of the same points.
A mixed bag, then, of some interest to armchair travelers, if not to Weird Girls everywhere.Pub Date: April 1, 2005
ISBN: 1-59486-037-8
Page Count: 336
Publisher: Rodale
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2005
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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