Readers will be inspired to think of Willy: These aren’t defects, they’re worthy attributes, capable of delivering something...
In this fine, low-key parable, Willy the elephant sports all elephant particulars: floppy ears, stout legs, dinky tail, general bigness.
He is drawn by Cneut as if made from artful cement though maybe a little fragile, like an old fresco. “He had two huge ears that flapped in the wind. And in between was his head…” De Kockere’s text is artful, too, and gently, mildly eccentric: “He stood like a mast. That came in very handy when you needed someone to hold something—a clothesline full of laundry, for instance.” Willy is comfortable in his elephantness; he knows how best to deploy his ears and tail and trunk and size: “Sometimes he was called on to come and push with that enormous body of his. A child who didn’t want to go to school, or a car that stood in the way.” The other characters in the story are drawn in hot colors—reds, some yellows—on fields of white along with gray Willy and with the same strange, haunting delicacy. But it is the unexpected turn that De Kockere takes at the story’s end that is the showstopper. Suddenly we are all Willy, in one great inclusive hug; maybe we, too, have stout legs, ears that flap in the wind, general bigness or “a little something somewhere, with a ridiculous little brush at the end.”
Readers will be inspired to think of Willy: These aren’t defects, they’re worthy attributes, capable of delivering something good. (Picture book. 4-8)Pub Date: Aug. 1, 2011
ISBN: 978-0-8028-5395-0
Page Count: 32
Publisher: Eerdmans
Review Posted Online: July 5, 2011
Kirkus Reviews Issue: July 15, 2011
BOOK REVIEW
A friendship tale with solid messaging and plenty of fun sounds to share.
In this latest in the series, Little Blue Truck, driven by pal Toad, is challenged to a countryside race by Racer Red, a sleek, low-slung vehicle.
Blue agrees, and the race is on. Although the two start off “hood to hood / and wheel to wheel,” they switch positions often as they speed their way over dusty country roads. Blue’s farm friends follow along to share in the excitement and shout out encouragement; adult readers will have fun voicing the various animal sounds. Short rhyming verses on each page and several strategic page turns add drama to the narrative, but soft, mottled effects in the otherwise colorful illustrations keep the competition from becoming too intense. Racer Red crosses the finish line first, but Blue is a gracious loser, happy to have worked hard. That’s a new concept for Racer Red, who’s laser-focused on victory but takes Blue’s words (“win or lose, it’s fun to try!”) to heart—a revelation that may lead to worthwhile storytime discussions. When Blue’s farm animal friends hop into the truck for the ride home, Racer Red tags along and learns a second lesson, one about speed. “Fast is fun, / and slow is too, / as long as you’re / with friends.”
A friendship tale with solid messaging and plenty of fun sounds to share. (Picture book. 4-7)Pub Date: March 25, 2025
ISBN: 9780063387843
Page Count: 32
Publisher: Clarion/HarperCollins
Review Posted Online: Jan. 18, 2025
Kirkus Reviews Issue: Feb. 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
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