Marred by its own contrivances.
Barretta adopts a familiar narrative device, contrasting the lives—separated by a century—of presidents Abraham Lincoln and John F. Kennedy.
On facing pages and within spreads, he presents similarities in the two men’s lives—some monumental, others mere oddities. Poignantly, the Lincoln and Kennedy families each lost two children, one before and one during their lives in the White House. Barretta portrays each man’s relationship to civil rights, collating Lincoln’s successful 1860 election with the new Republican Party’s opposition to slavery. The ensuing Civil War weighed heavily: “Lincoln agonized over the casualties on both sides of the battlefield. In his eyes, every soldier was still an American.” In 1863, Lincoln met successfully with Frederick Douglass, previously his critic. In 1963, Kennedy proposed new civil rights legislation, met with Dr. Martin Luther King Jr., and declared that the descendants of slaves were not fully free. The nation would “not be fully free until all its citizens are free.” Barretta’s full-bleed watercolors caricature both people and events. Two maps with keys—one depicting slave and free states, the other, the Soviet Union and communist countries (all unnamed)—are weak elements. The jumpy, back-and-forth format renders the achievements and complexities of each man less intelligible then a linear presentation would, and the assassinations are trivialized by a bulleted list of coincidences.
Marred by its own contrivances. (further facts, trivia, unsourced quotes, glossary, sources) (Informational picture book. 7-10)Pub Date: June 14, 2016
ISBN: 978-0-8050-9945-4
Page Count: 40
Publisher: Christy Ottaviano/Henry Holt
Review Posted Online: March 29, 2016
Kirkus Reviews Issue: April 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A picture book worth reading about a historical figure worth remembering.
An honestly told biography of an important politician whose name every American should know.
Published while the United States has its first African-American president, this story of John Roy Lynch, the first African-American speaker of the Mississippi House of Representatives, lays bare the long and arduous path black Americans have walked to obtain equality. The title’s first three words—“The Amazing Age”—emphasize how many more freedoms African-Americans had during Reconstruction than for decades afterward. Barton and Tate do not shy away from honest depictions of slavery, floggings, the Ku Klux Klan, Jim Crow laws, or the various means of intimidation that whites employed to prevent blacks from voting and living lives equal to those of whites. Like President Barack Obama, Lynch was of biracial descent; born to an enslaved mother and an Irish father, he did not know hard labor until his slave mistress asked him a question that he answered honestly. Freed by the Emancipation Proclamation, Lynch had a long and varied career that points to his resilience and perseverance. Tate’s bright watercolor illustrations often belie the harshness of what takes place within them; though this sometimes creates a visual conflict, it may also make the book more palatable for young readers unaware of the violence African-Americans have suffered than fully graphic images would. A historical note, timeline, author’s and illustrator’s notes, bibliography and map are appended.
A picture book worth reading about a historical figure worth remembering. (Picture book biography. 7-10)Pub Date: April 1, 2015
ISBN: 978-0-8028-5379-0
Page Count: 50
Publisher: Eerdmans
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
An emotional entry point to a larger, necessary discussion on this complex and difficult subject.
The paths of four migrant children from different Central American countries cross as they enter Mexico, and together they continue their journey to the United States.
Though their reasons for undertaking the perilous journey are different, their hopes are not: They all hope for asylum in the U.S. Ten-year-old Alessandra, from Guatemala, hopes to reunite with her mother, who left four years ago. Thirteen-year-old Laura and her 7-year-old brother, Nando, from El Salvador, are going to live with relatives in the U.S. And 14-year-old Rodrigo, from Honduras, will try to join his parents in Nebraska rather than join a local gang. Along the way they encounter danger, hunger, kindness from strangers, and, most importantly, the strength of friendship with one another. Through the four children, the book provides but the barest glimpse into the reasons, hopes, and dreams of the thousands of unaccompanied minors that arrive at the U.S.–Mexico border every year. Artist Guevara has added Central American folk art–influenced details to her illustrations, giving depth to the artwork. These embellishments appear as line drawings superimposed on the watercolor scenes. The backmatter explains the reasons for the book, helping to place it within the larger context of ongoing projects at Baylor University related to the migration crisis in Central America.
An emotional entry point to a larger, necessary discussion on this complex and difficult subject. (Picture book. 7-10)Pub Date: July 7, 2020
ISBN: 978-1-64442-008-9
Page Count: 40
Publisher: Six Foot Press
Review Posted Online: June 2, 2020
Kirkus Reviews Issue: June 15, 2020
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