by Gene Ludwig ‧ RELEASE DATE: Sept. 30, 2025
A hard-hitting indictment of the data underpinning federal economic policies.
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Americans are underemployed, broke, and desperate far beyond what federal statistics suggest, according to Ludwig’s searching economic manifesto.
The author, who served as the comptroller of the currency in the U.S. Department of the Treasury during the Clinton administration and, in 2019, founded the Ludwig Institute for Shared Economic Prosperity, argues that measurements of unemployment, wages, and inflation understate the economic distress of middle- and working-class Americans. In this book, he proposes alternative metrics that, he says, paint a much clearer picture. He starts with the headline unemployment rate, called U-3, which excludes part-time workers seeking full-time employment and those earning less than poverty-line wages. Adding them, he asserts, would give a “True Rate of Unemployment”—people seeking full-time jobs with decent pay—of roughly 25 percent. Ludwig also criticizes the U.S. Bureau of Labor Statistics’ median weekly wage measurement, which doesn’t count unemployed workers or part-time employees; a True Weekly Earnings metric, he says, would peg median annual earnings at $9,778 less than the BLS numbers, he calculates. He goes on to condemn the Consumer Price Index for understating inflation for low-income Americans who spend most of their money on food, housing, and healthcare; these prices have climbed 35 percent faster than the CPI, according to his True Living Cost metric. These new measurements, the author argues, make clear that inequality has skyrocketed. In lucid, down-to-earth prose, Ludwig distills complex economic and statistical issues into easily digestible reasoning, illustrated with arresting examples of odd statistical assumptions that ignore kitchen-table realities; in CPI calculations, he notes insightfully, “the price for a second home has more weight than the prices charged for bread, pork, eggs, milk, chicken, and potatoes combined.” His writing takes on a sharp moral edge when he evokes the social repercussions of poverty and hopelessness in working-class America: “there are rows of unpainted, and in some cases burnt-out, row houses in once-thriving places like Baltimore, St. Louis, Cleveland, and Detroit—places where the American dream seemed plausible not long ago.” The result is an incisive, illuminating critique of the statistics of economic orthodoxy.
A hard-hitting indictment of the data underpinning federal economic policies.Pub Date: Sept. 30, 2025
ISBN: 9781633311343
Page Count: 200
Publisher: Disruption Books
Review Posted Online: June 25, 2025
Review Program: Kirkus Indie
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by Gene Ludwig
by Brandon Stanton ‧ RELEASE DATE: Oct. 7, 2025
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.
Portraits in a post-pandemic world.
After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.Pub Date: Oct. 7, 2025
ISBN: 9781250277589
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Aug. 1, 2025
Kirkus Reviews Issue: Sept. 1, 2025
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by Stephanie Johnson & Brandon Stanton illustrated by Henry Sene Yee
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by Brandon Stanton photographed by Brandon Stanton
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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