FDR's life was like a multi-sided house whose shape could not be discerned in one glimpse. This volume of letters and diary entries, shows readers a side rarely seen before. Margaret ``Daisy'' Suckley—FDR's sixth cousin, upstate New York friend, and archivist at his Hyde Park library—lurked for years at the margins of the crowded field of Rooseveltiana, but that is likely to change now. After she died at the age of 99 in 1991, her diaries and letters to and from FDR were discovered at her ancestral Rhinebeck home. They have now been edited with helpful annotations by Roosevelt biographer Ward (A First-Class Temperament, 1989, etc.). Although the material describes no physical intimacy, Daisy and Franklin's relationship grew warmer following a long car ride and hilltop encounter at Hyde Park in September 1935. In the last years of his second term, their flirtatious correspondence included plans for a cottage on top of what they called ``Our Hill.'' Because Daisy was quiet and physically unprepossessing, however, their relationship sparked none of the gossip engendered by the president's other relationships with women. Particularly during WW II, she provided the unquestioning devotion the president lacked because of Eleanor's frequent absences and the deaths of his mother and his secretary-confidante, Missy LeHand. FDR trusted her implicitly, disclosing his doubts about winning and surviving a fourth term, his longing for a quieter postWhite House career (he thought of quitting the presidency to lead the newly formed UN), even the imminent invasion of Normandy in 1944. Her unique access reveals an unbuttoned FDR: venting otherwise carefully guarded frustration and loneliness, plying White House guests with cocktails and stories, secretly visiting old flame Lucy Mercer Rutherford, and rapidly deteriorating under the burden of winning the war. Hardly unbiased, but an important close-quarters view of a complex president and human being. (b&w illustrations, not seen)
Pub Date: April 1, 1995
ISBN: 0-395-66080-7
Page Count: 384
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1995
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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