A look at the friendship of two extraordinary women, leaders of the first wave of feminism, which produced women’s suffrage. Designed as the companion to a Burns (television’s The Civil War, Baseball) and Ward (The West, 1996, etc.) film scheduled for a fall showing on PBS, this volume focuses on the remarkable 50-year partnership between Elizabeth Cady Stanton and Susan B. Anthony. It was Stanton who launched the fight for women’s rights with the 1848 Declaration of Sentiments at Seneca Falls, N.Y., and Anthony who focused on getting the vote as the issue that would give women the most leverage in gaining the economic, religious, legal, and moral independence espoused in the now famous document. Stanton, a dumpling of a woman with seven children, supplied “the philosophy and rhetoric”; Anthony, angular and a so-called spinster all her life, the “facts and statistics.” Together, with many others, including Lucretia Mott, Sojourner Truth, Lucy Stone, and Frederick Douglass, they fought year after year, speech after speech, polemic after polemic to free American women from subjugation to the fathers, husbands, and sons in their lives. Some of the battles were ugly: although the first wave of feminism was closely allied with abolition (and also temperance), both Stanton and Anthony opposed the 15th Amendment giving newly freed black men the vote, asserting that women (i.e., educated white women) deserved it more. Both Stanton and Anthony spent years criss-crossing the country, giving speeches urging women to free themselves from male domination, Anthony pounding on the issue of suffrage, Stanton on what would later be called consciousness-raising. They died years short of the 1920 constitutional amendment that would give women the vote, but they left behind women like Carrie Chapman Catt and Alice Paul, who would push it through. Heads up for those who think the women’s movement started with a bra burning in Atlantic City. (150 color and b&w photos) (Book-of-the-Month/History Book club selection)
Pub Date: Oct. 22, 1999
ISBN: 0-375-40560-7
Page Count: 272
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1999
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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