by Geoffrey Moorhouse ‧ RELEASE DATE: Sept. 1, 1997
The rigors of Irish monasticism in the medieval period, well told by travel writer Moorhouse (On the Other Side, 1991; Hell's Foundations, 1992; etc.). The first half of the book is an imaginative reconstruction of life in an Irish monastery on the secluded rock-island of Skellig Michael from its founding in 588 to its dissolution in 1222. Moorhouse uses fictional vignettes to enliven the text. Each chapter is a well-chosen window onto a significant figure or event in the monastery's history—an 824 attack by Viking raiders, for example. In these fictional glimpses, we see the larger picture of Irish monasticism's evolution from a rigorously austere island faith to a less zealous, Romanized religion. Skellig Michael, perilously located on a sheer cliff rising from the ocean, began as one of the most ascetic of the Irish monasteries. Gradually, however, the population of monks began to dwindle, and the last fictionalized chapter shows the abbot and his aging disciples rowing their way back to the security of the mainland. The first half of the book is so intriguing and beautifully written that the second, a more traditional historical treatment of Irish monasticism, arranged topically, pales by comparison. Some of the discussions are absorbing, though; in one instance, Moorhouse explores the theme of syncretism, arguing that early Irish Catholicism, rather than eradicating pagan Celtic rituals, incorporated them into monastic life. This eclectic borrowing was able to continue for centuries because of Ireland's geographical remoteness from the centralizing forces of Rome. Due to accommodation with a Celtic spring ritual, Easter was dated differently than in Rome, a discrepancy that continued until Rome demanded conformity in the early 8th century. An uneven work, then, more fascinating in its first, fictionalized half than in the rigorous explications of the second, and one that might have worked better presented purely as a novel. (illustrations, not seen)
Pub Date: Sept. 1, 1997
ISBN: 0-15-100277-0
Page Count: 272
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1997
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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