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BROTHAS BE, YO LIKE GEORGE, AIN'T THAT FUNKIN' KINDA HARD ON YOU?

A MEMOIR

Though sometimes too slow and a touch, well, normal, Clinton’s memoir proves a treat for the many who love his work.

Uncle Jam’s funkadactic crusade continues in a book that, though less rollicking than a fan might expect, still kicks it.

“When I’m asked about something serious, I try to make jokes because deep down, I know that I don’t know what the fuck I’m talking about.” Thus says Clinton, the mastermind behind Parliament/Funkadelic, aka P-Funk, and the author of such classics as “Maggot Brain” and “The Electric Spanking of War Babies.” It’s not exactly Socrates’ “I know only that I know nothing,” but Clinton is a born, if rough-speaking, philosopher, as when he allows that, though he’s not so inclined, he never minded playing with gay musicians: “I don’t give a fuck who he’s fucking. Can he drum?” Clinton, with a helpful hand from pop ghost Greenman (co-author of Questlove’s Mo’ Meta Blues, 2013), recounts coming up on gritty East Coast streets, where, in between working as a barber, he engaged in various felonious acts while seeking fame on the Motown funway. That changed with his “introduction to three important letters: L-S-D,” along with the recruitment of players such as Eddie Hazel and later William “Bootsy” Collins, who took R&B, mixed it with rock, turned it into funk, and then took the whole enterprise into outer space. (Clinton opens with an anecdote in which Mylar space suits figure prominently.) Sadly—but fittingly, as it turns out—Clinton’s tale begins to limp halfway in, as acid-funk glory slowly begins to erode in the face of one lawsuit after another. He closes in the glow of a comfortable semiretirement tinged with a hint of sadness: “Kids today don’t know the difference between me and Snoop Dogg, or me and Stevie Wonder. Everybody who’s old is old.”

Though sometimes too slow and a touch, well, normal, Clinton’s memoir proves a treat for the many who love his work.

Pub Date: Oct. 21, 2014

ISBN: 978-1476751078

Page Count: 400

Publisher: Atria

Review Posted Online: Sept. 20, 2014

Kirkus Reviews Issue: Oct. 15, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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