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VOICES OF JUSTICE

POEMS ABOUT PEOPLE WORKING FOR A BETTER WORLD

From the Who Did It First? series , Vol. 6

Well-intended but undistinguished.

Portraits and poems celebrate change-makers.

Lyon mixes such stalwarts as Nelson Mandela, Dolores Huerta, Jeannette Rankin, and Shirley Chisholm with emerging heroes such as the Parkland shooting survivors and Greta Thunberg and less well-known people like Chiune Sugihara, a Japanese government official stationed in Lithuania who wrote transit visas for 6,000 Jews during World War II, and Brazilian transgender activist and pastor Alexya Salvador. The unrhymed poems vary in structure, frequently relying on line breaks and spaces within lines to govern reading pace while occasionally indulging in flashier visuals. The Jane Addams poem appropriately resembles a small home with an open door, successfully evoking Hull House, but the poem that celebrates primatologists Jane Goodall, Dian Fossey, and Biruté Galdikas is too clever for its own good, lines arranged like the rays around a large, yellow sun and consequently very difficult to read. The language itself is often disappointingly flat, as in these first lines of the Julia Butterfly Hill poem: “Do you like to climb trees? / Would you live in one / for two years to save its life?” With the exception of a compelling James Baldwin, the portraits are too often likewise static. (This book was reviewed digitally with 11-by-18-inch double-page spreads viewed at 57.3% of actual size.)

Well-intended but undistinguished. (thumbnail biographies, guide for parents and caregivers, glossary, selected sources) (Picture book/poetry. 8-12)

Pub Date: Oct. 13, 2020

ISBN: 978-1-250-26320-9

Page Count: 48

Publisher: Henry Holt

Review Posted Online: July 27, 2020

Kirkus Reviews Issue: Aug. 15, 2020

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WHAT JEWISH LOOKS LIKE

A celebration of progressive Judaism and an inclusive primer on Jews making a difference in the world.

This wide-ranging collection of short biographies highlights 36 Jewish figures from around the globe and across centuries.

Explicitly pushing back against homogenous depictions of Jewish people, the authors demonstrate the ethnic, racial, and gender diversity of Jews. Each spread includes a brief biography paired with a stylized portrait reminiscent of those in Elena Favilli and Francesca Cavallo’s Good Night Stories for Rebel Girls (2016). A pull quote or sidebar accompanies each subject; sidebars include “Highlighting Jewish Paralympic Athletes,” “Jewish Stringed Music,” and “Ethiopian Jews in Israel.” Kleinrock and Pritchard’s roster of subjects makes a compelling case for the vastness and variety of Jewish experience—from a contemporary Ethiopian American teen to a 16th-century Portuguese philanthropist—while still allowing them to acknowledge better-known figures. The entry on Raquel Montoya-Lewis, an associate justice of the Washington Supreme Court and an enrolled member of the Pueblo Isleta Indian tribe, discusses her mission to reimagine criminal justice for Indigenous people; the sidebar name-checks Ruth Bader Ginsburg and Elena Kagan. The bios are organized around themes of Jewish principles such as Pikuach Nefesh (translated from the Hebrew as “to save a life”) and Adam Yachid (translated as the “unique value of every person”); each section includes an introduction to an organization that centers diverse Jewish experiences.

A celebration of progressive Judaism and an inclusive primer on Jews making a difference in the world. (resources) (Nonfiction. 8-12)

Pub Date: Sept. 24, 2024

ISBN: 9780063285712

Page Count: 128

Publisher: Harper/HarperCollins

Review Posted Online: June 15, 2024

Kirkus Reviews Issue: July 15, 2024

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THE BOY WHO FAILED SHOW AND TELL

Though a bit loose around the edges, a charmer nevertheless.

Tales of a fourth grade ne’er-do-well.

It seems that young Jordan is stuck in a never-ending string of bad luck. Sure, no one’s perfect (except maybe goody-two-shoes William Feranek), but Jordan can’t seem to keep his attention focused on the task at hand. Try as he may, things always go a bit sideways, much to his educators’ chagrin. But Jordan promises himself that fourth grade will be different. As the year unfolds, it does prove to be different, but in a way Jordan couldn’t possibly have predicted. This humorous memoir perfectly captures the square-peg-in-a-round-hole feeling many kids feel and effectively heightens that feeling with comic situations and a splendid villain. Jordan’s teacher, Mrs. Fisher, makes an excellent foil, and the book’s 1970s setting allows for her cruelty to go beyond anything most contemporary readers could expect. Unfortunately, the story begins to run out of steam once Mrs. Fisher exits. Recollections spiral, losing their focus and leading to a more “then this happened” and less cause-and-effect structure. The anecdotes are all amusing and Jordan is an endearing protagonist, but the book comes dangerously close to wearing out its welcome with sheer repetitiveness. Thankfully, it ends on a high note, one pleasant and hopeful enough that readers will overlook some of the shabbier qualities. Jordan is White and Jewish while there is some diversity among his classmates; Mrs. Fisher is White.

Though a bit loose around the edges, a charmer nevertheless. (Memoir. 8-12)

Pub Date: Feb. 2, 2021

ISBN: 978-1-338-64723-5

Page Count: 208

Publisher: Scholastic

Review Posted Online: Nov. 17, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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