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APHRODITE

GODDESS OF LOVE

From the Olympians series , Vol. 6

This neatly nuanced take on Aphrodite shows respect for the ultrafeminine heroine.

O’Connor spotlights the goddess of beauty and love in this solid addition to his Olympians series.

Aphrodite’s three attendants, the Charites, narrate a slightly-too-long recap of the origin of the Titans and Olympians, leading up to the goddess’s birth. This telling emphasizes the power of Eros as an independent force in order to highlight the dangerous potential of Aphrodite, Eros’ embodiment. After a series of shorter myths, various affairs and the introduction of Aphrodite’s capricious son (a mischievous cherub she names Eros, of course), the story concentrates on the beauty contest of the goddesses Aphrodite, Hera and Athena, judged by the mortal Paris. The problematic female stereotypes inherent in a story of powerful women fighting over looks are brought to center stage and addressed by the characters. They find the contest “beneath” them and “debasing” even while participating and reframe the contest as one of power by offering Paris boons—Hera would make him a rich king, Athena a conquering hero. Aphrodite offers him the most beautiful woman in the world: Helen of Troy. Graphically, O’Connor compensates for the lack of action in Aphrodite’s myths by taking advantage of the comic-book format for humor, with quick lines of dialogue and humorous reaction shots.

This neatly nuanced take on Aphrodite shows respect for the ultrafeminine heroine. (author’s note, character profiles, “G[r]eek Notes,” discussion questions, bibliography) (Graphic mythology. 8-14)

Pub Date: Dec. 31, 2013

ISBN: 978-1-59643-947-4

Page Count: 80

Publisher: Neal Porter/First Second

Review Posted Online: Oct. 22, 2013

Kirkus Reviews Issue: Nov. 15, 2013

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WRECKING BALL

From the Diary of a Wimpy Kid series , Vol. 14

Readers can still rely on this series to bring laughs.

The Heffley family’s house undergoes a disastrous attempt at home improvement.

When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.

Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)

Pub Date: Nov. 5, 2019

ISBN: 978-1-4197-3903-3

Page Count: 224

Publisher: Amulet/Abrams

Review Posted Online: Nov. 18, 2019

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THE FIRST CAT IN SPACE AND THE WRATH OF THE PAPERCLIP

From the First Cat in Space series , Vol. 3

File under “laugh riot.”

A rogue spell-check program’s bid to transform all life-forms into that eminently useful office item, the paper clip, touches off a fresh round of lunar lunacy.

Predicated on the entirely reasonable premise that eliminating all spelling and grammar errors everywhere would logically lead to the necessity of exterminating carbon-based life in the universe, this third series entry combines high stakes with daffy banter and daring exploits. CheckMate—a chipper, jumped-up editing program—has invented the Transmogratron, a giant laser that will fulfill its ultimate goals in both the cyber world and “meatspace.” Facing challenges as random as prankster lunar unicorns and a disarmingly motherly Motherboard, scowling First Cat joins a motley crew of diversely carbon- and silicon-based allies, led by the pearlescent Queen of the Moon. They’re in a race to the finish—diverted occasionally by, for instance, a relentlessly punny comic-book interlude featuring a pair of literal and figurative Pool Sharks. They ultimately triumph thanks to teamwork and moxie. Following a celebratory party and toasts to “new friends…and steadfast comrades” (and, of course, “MEOW”), the story’s energetic, brightly colored panels close with a reveal of the next volume. (“I always hate it when comics end by announcing a sequel. SO CRINGE!” declares an authorial stand-in.) It can’t come too soon.

File under “laugh riot.” (Graphic science fiction. 8-11)

Pub Date: Nov. 5, 2024

ISBN: 9780063315280

Page Count: 272

Publisher: HarperAlley

Review Posted Online: Sept. 14, 2024

Kirkus Reviews Issue: Oct. 15, 2024

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