A blockbuster portrayal of the zombie apocalypse and a fitting tribute to the genre’s imaginative progenitor.
The last testament of the legendary filmmaker is a sprawling novel about the zombie apocalypse that dwarfs even his classic movie cycle.
Though this long-simmering novel was unfinished when Romero died in 2017, his estate turned its completion over to Kraus, an adept novelist and collaborator with Guillermo Del Toro. The result is a satisfying, terrifying chronicle of the zombie crisis that includes explosive set pieces and moving character beats in equal measure. Just before Halloween, the first cadaver appears in the lab of San Diego medical examiners Luis Acocella and Charlie Rutkowski, asking the pair “Shall we dance?” even as Charlie holds his heart in her hands. In rural Missouri, teenager Greer Morgan soon learns society’s rules have been drastically altered by the rise of the dead. The growing severity of the crisis is seen at a national television studio in Atlanta, where conceited anchor Chuck Corso finds the danger growing closer and closer. On the aircraft carrier USS Olympia, helmsman Karl Nishimura and pilot Jenny Pagán join forces when they’re trapped between the resurrected dead and the zealous chaplain convinced God wants him to lead a death cult. These harrowing survival stories are marked by cinematic spectacles—a bloody escape by jet fighter, a school shooting, and fragments told from the zombies’ point of view are among the memorable episodes—but Kraus injects a dramatic dose of human pathos into the mix as characters bond, fight for survival, and frequently die so that others may live. By the time these disparate characters converge in the last act after a significant time jump, readers will know them so well that each loss takes on more emotional weight. Less soapy than The Walking Dead and less inventive than Max Brooks’ World War Z, it’s still a spectacular horror epic laden with Romero’s signature shocks and censures of societal ills.
A blockbuster portrayal of the zombie apocalypse and a fitting tribute to the genre’s imaginative progenitor.Pub Date: Aug. 4, 2020
ISBN: 978-1-250-30512-1
Page Count: 656
Publisher: Tor
Review Posted Online: March 29, 2020
Kirkus Reviews Issue: April 15, 2020
A pulpy throwback that shines a light on abuses even magic can’t erase.
Hung out to dry by the elders who betrayed them, a squad of pregnant teens fights back with old magic.
Hendrix has a flair for applying inventive hooks to horror, and this book has a good one, chock-full with shades of V.C. Andrews, The Handmaid’s Tale, and Foxfire, to name a few. Our narrator, Neva Craven, is 15 and pregnant, a fate worse than death in the American South circa 1970. She’s taken by force to Wellwood House in Florida, a secretive home for unwed mothers where she’s given the name Fern. She’ll have the baby secretly and give it up for adoption, whether she likes it or not. Under the thumb of the house’s cruel mistress, Miss Wellwood, and complicit Dr. Vincent, Neva forges cautious alliance with her fellow captives—a new friend, Zinnia; budding revolutionary Rose; and young Holly, raped and impregnated by the very family minister slated to adopt her child. All seems lost until the arrival of a mysterious bookmobile and its librarian, Miss Parcae, who gives the girls an actual book of spells titled How To Be a Groovy Witch. There’s glee in seeing the powerless granted some well-deserved payback, but Hendrix never forgets his sweet spot, lacing the story with body horror and unspeakable cruelties that threaten to overwhelm every little victory. In truth, it’s not the paranormal elements that make this blast from the past so terrifying—although one character evolves into a suitably scary antagonist near the end—but the unspeakable, everyday atrocities leveled at children like these. As the girls lose their babies one by one, they soon devote themselves to secreting away Holly and her child. They get some help late in the game but for the most part they’re on their own, trapped between forces of darkness and society’s merciless judgement.
A pulpy throwback that shines a light on abuses even magic can’t erase.Pub Date: Jan. 14, 2025
ISBN: 9780593548981
Page Count: 496
Publisher: Berkley
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
BOOK REVIEW
BOOK REVIEW
It's almost enough to make a person believe in ghosts.
A disturbing household secret has far-reaching consequences in this dark, unusual ghost story.
Mallory Quinn, fresh out of rehab and recovering from a recent tragedy, has taken a job as a nanny for an affluent couple living in the upscale suburb of Spring Brook, New Jersey, when a series of strange events start to make her (and her employers) question her own sanity. Teddy, the precocious and shy 5-year-old boy she's charged with watching, seems to be haunted by a ghost who channels his body to draw pictures that are far too complex and well formed for such a young child. At first, these drawings are rather typical: rabbits, hot air balloons, trees. But then the illustrations take a dark turn, showcasing the details of a gruesome murder; the inclusion of the drawings, which start out as stick figures and grow increasingly more disturbing and sophisticated, brings the reader right into the story. With the help of an attractive young gardener and a psychic neighbor and using only the drawings as clues, Mallory must solve the mystery of the house's grizzly past before it's too late. Rekulak does a great job with character development: Mallory, who narrates in the first person, has an engaging voice; the Maxwells' slightly overbearing parenting style and passive-aggressive quips feel very familiar; and Teddy is so three-dimensional that he sometimes feels like a real child.
It's almost enough to make a person believe in ghosts.Pub Date: May 10, 2022
ISBN: 978-1-250-81934-5
Page Count: 384
Publisher: Flatiron Books
Review Posted Online: March 1, 2022
Kirkus Reviews Issue: March 15, 2022
BOOK REVIEW
BOOK REVIEW
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