by George Sullivan ‧ RELEASE DATE: Sept. 1, 1996
Six chapters in the history of American photography, with biographies of the following artists: Jules Lion, a Frenchman who was one of the first daguerreotypists in this country; Augustus Washington, a black intellectual who ran a photography salon in Hartford before emigrating to Liberia; James P. Ball, one of the most celebrated photographers of the latter half of the 19th century; the Saginaw-based Goodridge Brothers, who photographed historical events and landscapes as well as portraits; and two 20th-century black photographers of black subjects, Cornelius M. Battey, who was influenced by Stieglitz's idea of pictorialism and worked for The Crisis, and Addison Scurlock, who recorded the lives of the African-American community in Washington, D.C., during the first half of this century. Parallel histories coexist in this book, which is not only a step-by-step account of the evolution of photography, but six windows into African-American history during different decades and settings. Sullivan (Matthew Brady, 1994, etc.) adroitly moves between information on photographic technology and civil rights to create a riveting and unusual book filled with a wonderful collection of black-and-white lithographs, daguerreotypes, and photographs. An exceptional cultural history. (bibliography, index) (Nonfiction. 11+)
Pub Date: Sept. 1, 1996
ISBN: 0-525-65208-6
Page Count: 104
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1996
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by Minfong Ho ‧ RELEASE DATE: Oct. 1, 1991
Drawing on her experience with a relief organization on the Thai border, Ho tells the story of a Cambodian family, fleeing the rival factions of the 80's while hoping to gather resources to return to farming in their homeland. Narrator Dara, 12, and the remnants of her family have arrived at a refugee camp soon after her father's summary execution. At first, the camp is a haven: food is plentiful, seed rice is available, and they form a bond with another family- -brother Sarun falls in love with Nea, and Dara makes friends with Nea's cousin, Jantu, who contrives marvelous toys from mud and bits of scrap; made wise by adversity, Jantu understands that the process of creation outweighs the value of things, and that dead loved ones may live on in memory. The respite is brief: Vietnamese bombing disrupts the camp, and the family is temporarily but terrifyingly separated. Later, Jantu is wounded by friendly fire and doesn't survive; but her tragic death empowers Dara to confront Sarun, who's caught up in mindless militarism instigated by a charismatic leader, and persuade him to travel home with the others—to plant rice and build a family instead of waging war. Again, Ho (Rice Without Rain, 1990) skillfully shapes her story to dramatize political and humanitarian issues. The easily swayed Sarun lacks dimension, but the girls are more subtly drawn—Dara's growing courage and assertiveness are especially convincing and admirable. Touching, authentic, carefully wrought- -and with an unusually appealing jacket. (Fiction. 11-15)
Pub Date: Oct. 1, 1991
ISBN: 0-374-31340-7
Page Count: 163
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1991
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by Minfong Ho ; illustrated by Frances Alvarez
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by Minfong Ho & illustrated by Holly Meade
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by Minfong Ho
by Carol Matas ‧ RELEASE DATE: April 1, 1993
After witnessing the rising tide of anti-Semitism in Nazi Germany, Daniel is suddenly transported, at age 14, from his comfortable life in Frankfurt to a Polish ghetto, then to Auschwitz and Buchenwald—losing most of his family along the way, seeing Nazi brutality of both the casual and the calculated kind, and recording atrocities with a smuggled camera (``What has happened to me?...Who am I? Where am I going?''). Matas, explicating an exhibit of photos and other materials at the new United States Holocaust Memorial Museum, creates a convincing composite youth and experience—fictional but carefully based on survivors' accounts. It's a savage story with no attempt to soften the culpability of the German people; Daniel's profound anger is easier to understand than is his father's compassion or his sister's plea to ``chose love. Always choose love.'' Daniel survives to be reunited, after the war, with his wife-to-be, but his dying friend's last word echoes beyond the happy ending: ``Remember...'' An unusual undertaking, effectively carried out. Chronology; glossary. (Fiction. 11-14)
Pub Date: April 1, 1993
ISBN: 0-590-46920-7
Page Count: 128
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1993
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