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MY LOST FREEDOM

A JAPANESE AMERICAN WORLD WAR II STORY

A candid yet tender glimpse at a bleak chapter in U.S. history.

Star Trek actor and activist Takei looks back on a childhood marked by war and injustice, transformed by parental heroes.

Takei was 4 years old in 1941, when Pearl Harbor was bombed. Soon after, President Franklin D. Roosevelt signed Executive Order 9066, decreeing that Japanese American people be imprisoned in concentration camps. Takei and his parents and younger siblings were forced to leave their home in Los Angeles and live in a series of camps—first at the Santa Anita racetrack and later at Camp Rohwer, Arkansas, and Tule Lake, California. Takei offers an unflinchingly honest, child’s-eye view of these events: stalls stinking of horse manure and filled with bugs and germs, sweltering barracks guarded by sentry towers with armed soldiers. Mindful, though, of young readers’ sensibilities, he interweaves moments of levity and escape: movie nights, a baseball league, a dog named Blackie, a snowball fight, and more. His parents’ courage shines through, too: Mama transforming their dismal surroundings into a home; Daddy serving as manager of their block. Lee’s mixed-media illustrations depict children in brightly colored outfits set against backgrounds of earth tones and deep blues to capture readers’ attention and underscore the individuality of the imprisoned citizens. Lee also inserts visual details to complement Takei’s evocative text. An author’s note details the harassment Takei’s family experienced as they rebuilt their lives in L.A.

A candid yet tender glimpse at a bleak chapter in U.S. history. (glossary and pronunciation guide, photographs) (Picture-book memoir. 4-9)

Pub Date: April 16, 2024

ISBN: 9780593566350

Page Count: 48

Publisher: Crown

Review Posted Online: Jan. 20, 2024

Kirkus Reviews Issue: Feb. 15, 2024

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LUNAR NEW YEAR

From the Celebrate the World series

Lovely illustrations wasted on this misguided project.

The Celebrate the World series spotlights Lunar New Year.

This board book blends expository text and first-person-plural narrative, introducing readers to the holiday. Chau’s distinctive, finely textured watercolor paintings add depth, transitioning smoothly from a grand cityscape to the dining room table, from fantasies of the past to dumplings of the present. The text attempts to provide a broad look at the subject, including other names for the celebration, related cosmology, and historical background, as well as a more-personal discussion of traditions and practices. Yet it’s never clear who the narrator is—while the narrative indicates the existence of some consistent, monolithic group who participates in specific rituals of celebration (“Before the new year celebrations begin, we clean our homes—and ourselves!”), the illustrations depict different people in every image. Indeed, observances of Lunar New Year are as diverse as the people who celebrate it, which neither the text nor the images—all of the people appear to be Asian—fully acknowledges. Also unclear is the book’s intended audience. With large blocks of explication on every spread, it is entirely unappealing for the board-book set, and the format may make it equally unattractive to an older, more appropriate audience. Still, readers may appreciate seeing an important celebration warmly and vibrantly portrayed.

Lovely illustrations wasted on this misguided project. (Board book. 4-8)

Pub Date: Dec. 11, 2018

ISBN: 978-1-5344-3303-8

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Dec. 4, 2018

Kirkus Reviews Issue: Jan. 1, 2019

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FRIDA KAHLO AND HER ANIMALITOS

A supplemental rather than introductory book on the great artist.

Frida Kahlo’s strong affection for and identification with animals form the lens through which readers view her life and work in this picture-book biography.

Each two-page spread introduces one or more of her pets, comparing her characteristics to theirs and adding biographical details. Confusingly for young readers, the beginning pages reference pets she owned as an adult, yet the illustrations and events referred to come from earlier in her life. Bonito the parrot perches in a tree overlooking young Frida and her family in her childhood home and pops up again later, just before the first mention of Diego Rivera. Granizo, the fawn, another pet from her adult years, is pictured beside a young Frida and her father along with a description of “her life as a little girl.” The author’s note adds important details about Kahlo’s life and her significance as an artist, as well as recommending specific paintings that feature her beloved animals. Expressive acrylic paintings expertly evoke Kahlo’s style and color palette. While young animal lovers will identify with her attachment to her pets and may enjoy learning about the Aztec origins of her Xolo dogs and the meaning of turkeys in ancient Mexico, the book may be of most interest to those who already have an interest in Kahlo’s life.

A supplemental rather than introductory book on the great artist. (Picture book/biography. 4-8)

Pub Date: Sept. 5, 2017

ISBN: 978-0-7358-4269-4

Page Count: 40

Publisher: NorthSouth

Review Posted Online: June 18, 2017

Kirkus Reviews Issue: July 1, 2017

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