her magic: listen to her Carnegie Hall album in the dark for that.
Apr. 2000 ISBN:
A corker of a biography that reveals Judy Garland as a peerless artist careening wildly through a life that could have ended even sooner than it did. Biographer Clarke (Capote, 1988) notes Frances Ethel ("Baby") Gumm's early rise, moving steadily from a boffo solo on a vaudeville stage at two years old to an MGM contract a decade later. As Judy Garland (a name she, not the studio, chose), she dazzled in her early movies (including The Wizard of Oz, Meet Me in St. Louis, and the Andy Hardy series) and became "Metro's prime asset" by the late 1940s. As a female vocalist, her inimitable blend of vulnerability and longing ("like a woman carrying a torch for Valentino," said George Jessel) culminated in history-making performances at the London Palladium and Carnegie Hall. By her 20s, though, she was already dependent on pills, had attempted suicide, was treated for mental exhaustion, and had searched for the right man through affairs with Tyrone Power, Joseph Mankiewicz, Orson Welles, and Yul Brynner—among others. Her husbands also abounded: Billy Rose (whose baby Judy reluctantly aborted), Vincente Minnelli (discovered in a homosexual embrace at their home), Sid Luft, and Mickey Deans. Mother Ethel makes an appearance, too, grooming her daughter for stardom yet denying her love. By portraying Garland as a multifaceted individual rather than MGM pawn or sad pill popper, Clarke separates Judy the person from Judy the icon. But while the meticulous reporting impresses (and will likely result in a deeper appreciation of Garland’s career), its immediate effect is to deaden the shock of her death by drug overdose in 1969. Clarke’s closing image, outside the funeral home, does not evoke unity with the bystanders there so much as a disconnection from Garland and her messy life. An unstoppable read that demystifies Garland yet still details her international appeal. Don’t, however, expect it to convey
her magic: listen to her Carnegie Hall album in the dark for that. (photos, not seen) (Author tour)Pub Date: April 1, 2000
ISBN: 0-375-50378-1
Page Count: 608
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2000
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
SEEN & HEARD
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