by Gerald Hausman & Loretta Hausman ‧ RELEASE DATE: Feb. 1, 1997
To this season of the dog book, add this sprightly celebration of canine anecdotes. Wishing to get to the heart of what makes a dog a dog, the Hausmans, both mythologists, poured over sacred oral narratives, conjectures as to our prehistorical relationships with various mutts, and contemporary dog stories. What they deliver here is a compendium of these findings, laid out alphabetically by breed: 50 backgrounds of purebreds, 40 additional dog tales, drawn from global sources, explicating and dramatizing our fascination with Bowser (they also provide what appear to be American Kennel Club specs on established purebreds). Dog lovers will doubtless be captivated, but so too will the casual browser of this collection of arcana and mythological baggage, savoring the odd tidbits: the quirky Airedale hailing a cab, the pit bull's ability to sniff out ``evil intent from the slack manner of any man,'' how the African basenji lost its bark, and why one should never try to displace a coonhound from the porch swing. Other tales relate how the whistled tune of a stranger turned the bulldog from a bully to an upstanding citizen, why the springer spaniel bit the pope's toe and thus ushered in the Church of England, and the curious tale of the weimaraner that liked to talk on the phone. And what is one to make of the story that the urinating ghost of a dingo created the Magellanic Clouds? Well, probably little other than to marvel at the sheer inventiveness of it all, for one of the great pleasures of this book is to see the art of myth-making laid as bare as possible. Good stuff entertainingly told, and a gold mine for dog fanciers. (35 photos, 35 illustrations)
Pub Date: Feb. 1, 1997
ISBN: 0-312-15177-2
Page Count: 288
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1996
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by Gerald Hausman & Loretta Hausman & illustrated by Robert Florczak
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
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