by Gerald McDermott & illustrated by Gerald McDermott ‧ RELEASE DATE: Sept. 1, 2003
Decades of turning myth into gorgeously imaged picture books culminates in McDermott’s powerful rendering of the creation story. He boldly speaks in the voice of the Creator: “I was before time. I was everywhere. . . . Then I breathed light into the dark.” The drumbeat of creation goes on, dividing the mists “sweet and salt” and bringing the earth out of the sea, lights in the heavens to mark the seasons, birds and fish, animals moving over the earth, and man and woman. The language, rooted not only in Genesis of the Hebrew Bible but in a muscular familiarity with many other creation myths, thunders and rolls in perfect counterpoint to the astonishing images. Inspired, he says in an author’s note, by Japanese hand-made mulberry-bark papers, he uses gesso, fabric, and paint to create strongly textured surfaces both beautifully abstract and utterly concrete. The sun fills a page and spills over to the next; the blue moon is surrounded by a halo of stars; below both, an arc of growing things from palm frond to frozen branch marks the turn of time. Accessible to small children but resonant enough for older ones, reverent and magnificent. (Picture book/nonfiction. 4-10)
Pub Date: Sept. 1, 2003
ISBN: 0-525-46905-2
Page Count: 32
Publisher: Dutton
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Aug. 15, 2003
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by Gerald McDermott & illustrated by Gerald McDermott
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by Gerald McDermott & illustrated by Gerald McDermott
‧ RELEASE DATE: Oct. 30, 1992
The most interesting feature of this retelling of a story about a saint martyred in A.D. 270 is the art, a meticulous re- creation of the medium of its subject's period. Using thousands of tiny, rectangular pieces resembling tiles, Sabuda replicates the effect of Roman mosaics. His simple designs and harmonious, gently muted colors are pleasing, and he achieves surprising subtleties of expression, considering the intractability of the medium. Actually, the illustrations work even better from a slight distance (as with a group), so that the demarcations between the tiny pieces are less predominant. The technique, which tends to congeal the action, makes relatively undramatic illustrations; still, it's a fascinating experiment that brings the ancient world to life by paying tribute to its art rather than by picturing it in a modern style. The straightforward narrative centers on Valentine as a physician whose ointment restores the sight of a jailer's blind daughter, long the saint's friend. It's implied that the long-awaited cure takes place at the moment of his offstage death; the story ends with the joy of the child's renewed vision. An unusual and attractive rendition. Historical note. (Nonfiction/Picture book. 6-9)
Pub Date: Oct. 30, 1992
ISBN: 0-689-31762-X
Page Count: 32
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1992
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by Robert Sabuda ; illustrated by Robert Sabuda
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by Robert Sabuda ; illustrated by Robert Sabuda
by Lee Wind ; illustrated by Paul O. Zelinksy ‧ RELEASE DATE: Oct. 19, 2021
The true meaning of the holiday season shines here.
Kids teach a valuable lesson about community spirit.
A city block is ablaze with red and green lights for Christmas; one house glows blue and white for Hanukkah. This is where Isaac, a Jewish boy, lives, across the street from best friend Teresa, excitedly preparing for Christmas. They love lighting up their homes in holiday colors. After an antisemitic bigot smashes a window in Isaac’s house, Isaac relights the menorah the next night, knowing if his family doesn’t, it means hiding their Jewishness, which doesn’t “feel right.” Artistic Teresa supports Isaac by drawing a menorah, inscribed to her friend, and placing the picture in her window. What occurs subsequently is a remarkable demonstration of community solidarity for Isaac and his family from everyone, including the media. Galvanized into defiant action against hate, thousands of townspeople display menorahs in windows in residences and public buildings. This quiet, uplifting tale is inspired by an incident that occurred in Billings, Montana, in 1993. Readers will feel heartened at children’s power to influence others to stand up for justice and defeat vile prejudice. The colorful illustrations, rendered digitally with brushes of the artist’s devising, resemble scratch art. Isaac and Teresa are White, and there is some racial diversity among the townspeople; one child is depicted in a wheelchair. An author’s note provides information about the actual event.
The true meaning of the holiday season shines here. (Picture book. 5-8)Pub Date: Oct. 19, 2021
ISBN: 978-1-64614-087-9
Page Count: 32
Publisher: Levine Querido
Review Posted Online: July 29, 2021
Kirkus Reviews Issue: Sept. 1, 2021
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