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THE SECRET CHORD

A skillful reimagining of stories already well-known to any well-versed reader of the Bible gracefully and intelligently...

“He was big enough, but no giant.” With that gently dismissive allowance, spoken by the biblical King David, Brooks (Caleb’s Crossing, 2011, etc.) continues to explore the meaning of faith and religion in ordinary life.

And sometimes extraordinary life, too, for even David has to admit that it’s not every day one has to fight a Philistine hero. Goliath’s fatal error was that he underestimated David, who tells a young shepherd, “Sometimes, it is good to be small.” David’s God is most definitely the one of the Old Testament, the jealous and punitive one; as leader of his tribe, David’s hands are covered in blood, including that of the family of the shepherd boy. Brooks skillfully retells David’s story through the eyes of Natan, the shepherd, who plays numerous roles throughout the narrative; as Avigail, David’s knowing wife, tells him, “David will call for you often enough, be assured of it. He uses every tool that comes into his hand.” There’s plenty of action, some biblically bloodthirsty; there’s plenty of talk as well, including some psychologizing that rings a touch anachronistic (says Avigail, for instance, “I’ve come to understand that he is what he is because of his faults”). David emerges from Brooks’ pages as a complex, somewhat wounded man, dogged by trauma but mostly resolute all the same; in one of the most telling passages, Brooks imagines David eating a chicken leg calmly just after the death of a baby, reasoning, “Now he’s dead, why should I fast? Can fasting bring him back again?” Of just as much interest as her view of the politically astute lion in winter are Brooks’ portraits of characters who are somewhat thinly fleshed in their biblical accounts, such as Batsheva, Yoav, Avner, and even Avshalom—for, as Brooks sagely writes, “David, who so often saw so clearly, who weighed men to a fine grain, was utterly blind to the failings of the men he begat.”

A skillful reimagining of stories already well-known to any well-versed reader of the Bible gracefully and intelligently told.

Pub Date: Oct. 6, 2015

ISBN: 978-0-670-02577-0

Page Count: 320

Publisher: Viking

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: Aug. 15, 2015

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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