This superlatively cute look at the bond between mother and child takes a proud place next to Martin Waddell and Patrick...
When Mama's brood is left alone, chick imaginations run wild.
The wee narrator (identified with a little white arrow and the modest word "Me") begins to cry when Mama leaves the coop to go pecking for grain. And so do siblings Ivan and Lily and Leonard and Shirley, all in a row. The worry soon escalates to a frantic speculation that she may never come back! (The page turns black, with only wings and eyes visible.) And what will they do if a fox comes?! (One chick becomes a caped crusader while the others hold up signs intended to scare the predator away.) A sudden noise sends them all into a frenzy! But it's just Mama, back with dinner. She has special eating instructions for each of her babies, and readers learn that the narrator is called Anthony. He's also apparently the youngest, because he wants to be just like his brothers and sisters, and eat very quickly, all by himself. Saudo's stylish chicks look like golden M&Ms; their feet and wings are see-through and outlined in white. Her illustrations are full of quirky, mischievous touches sure to bring smiles.
This superlatively cute look at the bond between mother and child takes a proud place next to Martin Waddell and Patrick Benson’s Owl Babies (1992). (Picture book. 3-5)Pub Date: March 1, 2012
ISBN: 978-1-926973-12-8
Page Count: 32
Publisher: Owlkids Books
Review Posted Online: Jan. 17, 2012
Kirkus Reviews Issue: Feb. 1, 2012
BOOK REVIEW
A heartwarming story about facing fears and acceptance.
A boy with wings learns to be himself and inspires others like him to soar, too.
Norman, a “perfectly normal” boy, never dreamed he might grow wings. Afraid of what his parents might say, he hides his new wings under a big, stuffy coat. Although the coat hides his wings from the world, Norman no longer finds joy in bathtime, playing at the park, swimming, or birthday parties. With the gentle encouragement of his parents, who see his sadness, Norman finds the courage to come out of hiding and soar. Percival (The Magic Looking Glass, 2017, etc.) depicts Norman with light skin and dark hair. Black-and-white illustrations show his father with dark skin and hair and his mother as white. The contrast of black-and-white illustrations with splashes of bright color complements the story’s theme. While Norman tries to be “normal,” the world and people around him look black and gray, but his coat stands out in yellow. Birds pop from the page in pink, green, and blue, emphasizing the joy and beauty of flying free. The final spread, full of bright color and multiracial children in flight, sets the mood for Norman’s realization on the last page that there is “no such thing as perfectly normal,” but he can be “perfectly Norman.”
A heartwarming story about facing fears and acceptance. (Picture book. 3-5)Pub Date: May 1, 2018
ISBN: 978-1-68119-785-2
Page Count: 32
Publisher: Bloomsbury
Review Posted Online: March 3, 2018
Kirkus Reviews Issue: March 15, 2018
Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for...
Oliver, of first-day-of-school alligator fame, is back, imagining adventures and still struggling to find balance between introversion and extroversion.
“When Oliver found his egg…” on the playground, mint-green backgrounds signifying Oliver’s flight into fancy slowly grow larger until they take up entire spreads; Oliver’s creature, white and dinosaurlike with orange polka dots, grows larger with them. Their adventures include sharing treats, sailing the seas and going into outer space. A classmate’s yell brings him back to reality, where readers see him sitting on top of a rock. Even considering Schmid’s scribbly style, readers can almost see the wheels turning in his head as he ponders the girl and whether or not to give up his solitary play. “But when Oliver found his rock… // Oliver imagined many adventures // with all his friends!” This last is on a double gatefold that opens to show the children enjoying the creature’s slippery curves. A final wordless spread depicts all the children sitting on rocks, expressions gleeful, wondering, waiting, hopeful. The illustrations, done in pastel pencil and digital color, again make masterful use of white space and page turns, although this tale is not nearly as funny or tongue-in-cheek as Oliver and His Alligator (2013), nor is its message as clear and immediately accessible to children.
Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for all children but sadly isn’t. (Picture book. 3-5)Pub Date: July 1, 2014
ISBN: 978-1-4231-7573-5
Page Count: 40
Publisher: Disney-Hyperion
Review Posted Online: May 18, 2014
Kirkus Reviews Issue: June 1, 2014
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