by Géraldine Elschner ; illustrated by Joanna Boillat ‧ RELEASE DATE: Oct. 1, 2017
Charming and quiet, an invitation to children to stop and really regard art.
Can the admiration and touch of a young boy bring a large sculpture to life?
Leo is such a boy. When he visits the museum, he is fascinated with the huge white bear statue named Pompon, which stands proudly and majestically on a pedestal. “For a long time, he studied the arch of Pompon’s legs which were as tall as a gate. / He imagined sliding down Pompon’s back, as if on a sled.” Leo’s examination extends over several deliberate page turns, amplifying his fascination. Leo can’t resist—he stretches out his hand and strokes Pompon’s white cheek, which is “forbidden.” Even though a museum guard scolds Leo, the transformation has begun. Something magical has happened: Pompon flies away (the illustration suggests he becomes a constellation), and his twin brother stands in his place in the museum. It’s the illustrations here that breathe life into this story, which is based on a real sculpture by François Pompon (1855-1933). The oversized images of the bear run off the pages’ edges and convey its size next to Leo. Effective page composition and perspective create an air of magic. Leo, a white boy, sports short pants, white knee socks, and a red muffler (seen on Pompon on the appealing cover). The backmatter offers a brief bio of Pompon along with an author’s note and a timeline.
Charming and quiet, an invitation to children to stop and really regard art. (Picture book. 5-8)Pub Date: Oct. 1, 2017
ISBN: 978-988-8341-43-6
Page Count: 32
Publisher: minedition
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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by Amy Krouse Rosenthal ; illustrated by Tom Lichtenheld ‧ RELEASE DATE: April 1, 2015
Although the love comes shining through, the text often confuses in straining for patterned simplicity.
A collection of parental wishes for a child.
It starts out simply enough: two children run pell-mell across an open field, one holding a high-flying kite with the line “I wish you more ups than downs.” But on subsequent pages, some of the analogous concepts are confusing or ambiguous. The line “I wish you more tippy-toes than deep” accompanies a picture of a boy happily swimming in a pool. His feet are visible, but it's not clear whether he's floating in the deep end or standing in the shallow. Then there's a picture of a boy on a beach, his pockets bulging with driftwood and colorful shells, looking frustrated that his pockets won't hold the rest of his beachcombing treasures, which lie tantalizingly before him on the sand. The line reads: “I wish you more treasures than pockets.” Most children will feel the better wish would be that he had just the right amount of pockets for his treasures. Some of the wordplay, such as “more can than knot” and “more pause than fast-forward,” will tickle older readers with their accompanying, comical illustrations. The beautifully simple pictures are a sweet, kid- and parent-appealing blend of comic-strip style and fine art; the cast of children depicted is commendably multiethnic.
Although the love comes shining through, the text often confuses in straining for patterned simplicity. (Picture book. 5-8)Pub Date: April 1, 2015
ISBN: 978-1-4521-2699-9
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: Feb. 15, 2015
Kirkus Reviews Issue: March 1, 2015
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by Megan McDonald & illustrated by Peter H. Reynolds ‧ RELEASE DATE: March 13, 2012
This story covers the few days preceding the much-anticipated Midnight Zombie Walk, when Stink and company will take to the...
An all-zombie-all-the-time zombiefest, featuring a bunch of grade-school kids, including protagonist Stink and his happy comrades.
This story covers the few days preceding the much-anticipated Midnight Zombie Walk, when Stink and company will take to the streets in the time-honored stiff-armed, stiff-legged fashion. McDonald signals her intent on page one: “Stink and Webster were playing Attack of the Knitting Needle Zombies when Fred Zombie’s eye fell off and rolled across the floor.” The farce is as broad as the Atlantic, with enough spookiness just below the surface to provide the all-important shivers. Accompanied by Reynolds’ drawings—dozens of scene-setting gems with good, creepy living dead—McDonald shapes chapters around zombie motifs: making zombie costumes, eating zombie fare at school, reading zombie books each other to reach the one-million-minutes-of-reading challenge. When the zombie walk happens, it delivers solid zombie awfulness. McDonald’s feel-good tone is deeply encouraging for readers to get up and do this for themselves because it looks like so much darned fun, while the sub-message—that reading grows “strong hearts and minds,” as well as teeth and bones—is enough of a vital interest to the story line to be taken at face value.Pub Date: March 13, 2012
ISBN: 978-0-7636-5692-8
Page Count: 160
Publisher: Candlewick
Review Posted Online: Dec. 13, 2011
Kirkus Reviews Issue: Jan. 1, 2012
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by Megan McDonald ; illustrated by Peter H. Reynolds
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