A playful and poignant take on parenthood.
The parent becomes the child in this sparsely worded French import.
The illustrations, done by 2020 Hans Christian Andersen Illustrator Award winner Albertine, rest in copious white space. They are spare, delicate line drawings in what appear to be pencil (no other color is applied) of a short-haired, dress-clad adult, as white as the page. All drawings appear on the recto; if one were to flip the book’s pages, the drawings would appear animated. The adult exclaims, “Here you are… // Finally!” and then cradles a miniscule but fully mature-looking adult, who appears to have emerged from the heart of the speaker. “I’ve been waiting for you,” reads the text. As the adult speaks fondly to the child (“my little one!”), telling them “our story,” embracing them, and even swinging them around in the air, the child grows tall. Gradually, the child is as tall as the parent once was while the parent shrinks in size. The child now cradles the parent until, bringing the story full circle, the parent seemingly disappears into the heart of its own offspring. The sense of movement on static pages is compelling—all in the form of fine, simple lines and dynamic page turns. This elegant story may tug more at the hearts of adult caregivers, but it surely provides food for thought for more-contemplative children, who may wonder at the notion that both characters at different times are the subjects of the book’s title. (This book was reviewed digitally with 12-by-17-inch double-page spreads viewed at actual size.)
A playful and poignant take on parenthood. (Picture book. 5-12)Pub Date: Oct. 27, 2020
ISBN: 978-1-939810-66-3
Page Count: 80
Publisher: Elsewhere Editions
Review Posted Online: July 2, 2020
Kirkus Reviews Issue: July 15, 2020
Readers can still rely on this series to bring laughs.
The Heffley family’s house undergoes a disastrous attempt at home improvement.
When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.
Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)Pub Date: Nov. 5, 2019
ISBN: 978-1-4197-3903-3
Page Count: 224
Publisher: Amulet/Abrams
Review Posted Online: Nov. 18, 2019
SEEN & HEARD
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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