by Gianna Marino & illustrated by Gianna Marino ‧ RELEASE DATE: Sept. 1, 2005
In this lively, engaging debut, an alphabetical menagerie, drawn naturalistically but with big, expressive eyes and mobile features, gathers around (or, sometimes, in) a bowl of tomato-colored alphabet soup. Marino draws viewers into an increasingly challenging search-and-find game, as each new letter appearing in the soup signals the arrival of another animal, many of which are subtly incorporated into the scene. With “E” for instance, the soup bowl’s plain rim suddenly sports an “elephant” motif, and even expert Waldo Watchers will take a few moments to spot the tiny “unicorn” that shows up on the spoon’s handle at “U.” With larger entrants peering in from the page’s edge and smaller ones bounding about, the action gets more and more frenetic, until in a fitting climax an exuberant zebra explodes out of the soup itself—prelude to a closing visual key that will be a big help to children a little hazy on their Hedgehogs, Nanny goats and Xenops birds. A great choice for self-starters or small groups. (Picture book. 4-6)
Pub Date: Sept. 1, 2005
ISBN: 0-8118-4789-6
Page Count: 32
Publisher: Chronicle Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2005
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by Gianna Marino ; illustrated by Gianna Marino
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by Gianna Marino ; illustrated by Gianna Marino
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by Gianna Marino ; illustrated by Gianna Marino
adapted by Jim Aylesworth & illustrated by Barbara McClintock ‧ RELEASE DATE: April 1, 1998
A traditional cumulative tale, which Aylesworth (My Sister's Rusty Bike, 1996, etc.) endows with a lively pace, is illustrated in a decidedly old-fashioned style, giving the book the look and feel of a reproduction of an old edition. Working with precise pen-and-ink, McClintock portrays the cozy home of an elderly couple, dressed in Victoriana and in possession of a great wood-burning stove. Her work has never been more animated than in the scenes of the two-dimensional gingerbread man running away, exuberantly eluding everyone elsethe couple, a butcher, and a cow and pig dressed in human clothesuntil he is devoured by a fox. The portrayals of a cow and pig are more bizarre than charming, and the too-obvious wrinkles on the elderly people's faces are one example of eccentric choices on the part of the illustrator.With Richard Egielski's The Gingerbread Boy (1997) hot off the press and other fine variations of the tale still in print, it's hard to make the case for this one, other than to appreciate its antique look. (Picture book/folklore. 4-6)
Pub Date: April 1, 1998
ISBN: 0-590-97219-7
Page Count: 32
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1998
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by Jim Aylesworth ; illustrated by Barbara McClintock
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by Jim Aylesworth & illustrated by Brad Sneed
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by Jim Aylesworth and illustrated by Barbara McClintock
by Hannah Carmona Dias ; illustrated by Dolly Georgieva-Gode ‧ RELEASE DATE: Sept. 14, 2018
Mixed-race children certainly deserve mirror books, but they also deserve excellent text and illustrations. This one misses...
This tan-skinned, freckle-faced narrator extols her own virtues while describing the challenges of being of mixed race.
Protagonist Lilly appears on the cover, and her voluminous curly, twirly hair fills the image. Throughout the rhyming narrative, accompanied by cartoonish digital illustrations, Lilly brags on her dark skin (that isn’t very), “frizzy, wild” hair, eyebrows, intellect, and more. Her five friends present black, Asian, white (one blonde, one redheaded), and brown (this last uses a wheelchair). This array smacks of tokenism, since the protagonist focuses only on self-promotion, leaving no room for the friends’ character development. Lilly describes how hurtful racial microaggressions can be by recalling questions others ask her like “What are you?” She remains resilient and says that even though her skin and hair make her different, “the way that I look / Is not all I’m about.” But she spends so much time talking about her appearance that this may be hard for readers to believe. The rhyming verse that conveys her self-celebration is often clumsy and forced, resulting in a poorly written, plotless story for which the internal illustrations fall far short of the quality of the cover image.
Mixed-race children certainly deserve mirror books, but they also deserve excellent text and illustrations. This one misses the mark on both counts. (Picture book. 4-6)Pub Date: Sept. 14, 2018
ISBN: 978-1-63233-170-0
Page Count: 32
Publisher: Eifrig
Review Posted Online: June 10, 2018
Kirkus Reviews Issue: July 1, 2018
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by Hannah Carmona Dias ; illustrated by Brenda Figueroa
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