Sly, silly fun with political and class-war overtones.
Common types of garden produce repeatedly thwart their upper-class fruit and veggie overlords in this droll translated classic, originally published in Italy in 1951 and selected by Hayao Miyazaki as one of his 50 favorite children’s books.
Hans Christian Andersen Award–winner Rodari’s Pinocchio-style picaresque features an intrepid young onion who’s bent on obeying his father’s instructions to go out into the world and study the ways of scoundrels. Repeatedly imprisoned (“But what else can you expect,” remarks the puckish narrator; “When you’re born an onion, you’re bound to come to tears”), Cipollino nonetheless makes fools of choleric nemesis Cavalier Tomato, insatiable gourmand Baron Sweet-Orange, and other aristocrats with help from sympathetic housemaid Strawberryette and other humble allies. Tolstikova’s watercolor-style illustrations, which are new for this first English edition, brighten nearly every spread with scenes of anthropomorphic figures topped by fruit or vegetable heads and joined by the occasional animatedly talking spider, mole, or other animal. Soldierly Ponderosa lemons march back and forth, and in one chapter the despicable Prince Lemon cruelly mistreats some cucumber horses, but in general the episodic tale has more satire than violence. In the end, a Republic is proclaimed, the prince winds up with his head in a dung pile, and a castle is turned into a playhouse. Just deserts all round.
Sly, silly fun with political and class-war overtones. (cast of characters) (Illustrated fiction. 9-14)Pub Date: Oct. 28, 2025
ISBN: 9781592704163
Page Count: 256
Publisher: Enchanted Lion Books
Review Posted Online: July 3, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel.
Sure signs that the creative wells are running dry at last, the Captain’s ninth, overstuffed outing both recycles a villain (see Book 4) and offers trendy anti-bullying wish fulfillment.
Not that there aren’t pranks and envelope-pushing quips aplenty. To start, in an alternate ending to the previous episode, Principal Krupp ends up in prison (“…a lot like being a student at Jerome Horwitz Elementary School, except that the prison had better funding”). There, he witnesses fellow inmate Tippy Tinkletrousers (aka Professor Poopypants) escape in a giant Robo-Suit (later reduced to time-traveling trousers). The villain sets off after George and Harold, who are in juvie (“not much different from our old school…except that they have library books here.”). Cut to five years previous, in a prequel to the whole series. George and Harold link up in kindergarten to reduce a quartet of vicious bullies to giggling insanity with a relentless series of pranks involving shaving cream, spiders, effeminate spoof text messages and friendship bracelets. Pilkey tucks both topical jokes and bathroom humor into the cartoon art, and ups the narrative’s lexical ante with terms like “pharmaceuticals” and “theatrical flair.” Unfortunately, the bullies’ sad fates force Krupp to resign, so he’s not around to save the Earth from being destroyed later on by Talking Toilets and other invaders…
Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel. (Fantasy. 10-12)Pub Date: Aug. 28, 2012
ISBN: 978-0-545-17534-0
Page Count: 304
Publisher: Scholastic
Review Posted Online: June 19, 2012
Kirkus Reviews Issue: July 15, 2012
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
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