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IT BEGAN WITH LEMONADE

Encouragement for moguls-to-be and fun for everyone else.

A young entrepreneur is ready to sell homemade lemonade, but everyone else has already staked out the best spots.

The nameless narrator rolls a colorful stand through the diverse city neighborhood and just keeps on going until reaching the countryside. Pushing it up a hill, the kid loses control, and the tall stand with the lemon on top goes careening through the woods until it finally stops near a river. Unexpectedly, a customer arrives! The kid serves up, and then a steady stream of customers float by: an octopus, two alligators, a sea monster, a diver in an old-fashioned helmet, and more. The kid needs to make more lemonade on the spot. After selling out and trudging home, the kid sleeps through the night dreaming about a future riverside lemonade empire. Careful readers will spot many reminders of the adventure in the kid’s bedroom. A toy octopus’s tentacles overflow from a chest, a diver’s helmet sits on the floor, pictures of sea animals and boats adorn the walls. The lines between reality and fantasy blur…but the tip jar is full. Bright cartoon illustrations are full of funny details (the lemonade-stand sign smiles and frowns expressively), and the alliterative text begs to be read aloud: “I sat for a long while, feeling terrible as a turnip,” the kid grumps at one point. The narrator has textured black hair and a ruddy complexion. (This book was reviewed digitally.)

Encouragement for moguls-to-be and fun for everyone else. (Picture book. 5-7)

Pub Date: May 25, 2021

ISBN: 978-0-7352-2828-3

Page Count: 40

Publisher: Dial Books

Review Posted Online: April 13, 2021

Kirkus Reviews Issue: May 1, 2021

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TINY T. REX AND THE IMPOSSIBLE HUG

Wins for compassion and for the refusal to let physical limitations hold one back.

With such short arms, how can Tiny T. Rex give a sad friend a hug?

Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.

Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)

Pub Date: March 5, 2019

ISBN: 978-1-4521-7033-6

Page Count: 48

Publisher: Chronicle Books

Review Posted Online: Nov. 11, 2018

Kirkus Reviews Issue: Dec. 1, 2018

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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