Obliquely told and unevenly illustrated, this Slinky story’s just OK.
Ford portrays the back story of the Slinky, the coiled steel toy that debuted in 1945 and still sells today.
Richard James, a white naval engineer at a Philadelphia shipyard, discovers that a torsion spring, aided by gravity, can “walk” from an incline. James and his wife, Betty, persevere to create and market the toy. Securing a $500 bank loan to produce 400 units, Richard demonstrates the toy at Gimbels during the holiday season, selling all 400 Slinkys in 90 minutes. Later, he designs machinery that speeds fabrication. Ford’s reductive narrative portrays the couple as an enterprising unit: as production shifts to a factory, it “took the teamwork of a dreamer and a planner to turn an ordinary spring… / into a truly marvelous thing!” Betty’s role in resurrecting the company from near bankruptcy in 1960, after Richard “left to do missionary work in Bolivia,” is relegated to a note. Ford omits the couple’s divorce, six kids, why the company foundered, and that Betty ran it successfully until its 1998 sale. Busy illustrations combine digitally created cutouts with found objects, photographed in dioramas. While some of the cartoonish figures are depicted as people of color, most are white, tinted various pinks. Found objects seem haphazardly chosen and integrated compared to the superior constructions of Melissa Sweet.
Obliquely told and unevenly illustrated, this Slinky story’s just OK. (bibliography) (Picture book/biography. 5-8)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-5065-2
Page Count: 40
Publisher: Atheneum
Review Posted Online: June 27, 2016
Kirkus Reviews Issue: July 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of...
An international story tackles a serious global issue with Reynolds’ characteristic visual whimsy.
Gie Gie—aka Princess Gie Gie—lives with her parents in Burkina Faso. In her kingdom under “the African sky, so wild and so close,” she can tame wild dogs with her song and make grass sway, but despite grand attempts, she can neither bring the water closer to home nor make it clean. French words such as “maintenant!” (now!) and “maman” (mother) and local color like the karite tree and shea nuts place the story in a French-speaking African country. Every morning, Gie Gie and her mother perch rings of cloth and large clay pots on their heads and walk miles to the nearest well to fetch murky, brown water. The story is inspired by model Georgie Badiel, who founded the Georgie Badiel Foundation to make clean water accessible to West Africans. The details in Reynolds’ expressive illustrations highlight the beauty of the West African landscape and of Princess Gie Gie, with her cornrowed and beaded hair, but will also help readers understand that everyone needs clean water—from the children of Burkina Faso to the children of Flint, Michigan.
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of potable water. (Picture book. 5-8)Pub Date: Sept. 13, 2016
ISBN: 978-0-399-17258-8
Page Count: 40
Publisher: Putnam
Review Posted Online: May 17, 2016
Kirkus Reviews Issue: June 1, 2016
A retro-futuristic romp, literally and figuratively screwy.
Robo-parents Diode and Lugnut present daughter Cathode with a new little brother—who requires, unfortunately, some assembly.
Arriving in pieces from some mechanistic version of Ikea, little Flange turns out to be a cute but complicated tyke who immediately falls apart…and then rockets uncontrollably about the room after an overconfident uncle tinkers with his basic design. As a squad of helpline techies and bevies of neighbors bearing sludge cake and like treats roll in, the cluttered and increasingly crowded scene deteriorates into madcap chaos—until at last Cath, with help from Roomba-like robodog Sprocket, stages an intervention by whisking the hapless new arrival off to a backyard workshop for a proper assembly and software update. “You’re such a good big sister!” warbles her frazzled mom. Wiesner’s robots display his characteristic clean lines and even hues but endearingly look like vaguely anthropomorphic piles of random jet-engine parts and old vacuum cleaners loosely connected by joints of armored cable. They roll hither and thither through neatly squared-off panels and pages in infectiously comical dismay. Even the end’s domestic tranquility lasts only until Cathode spots the little box buried in the bigger one’s packing material: “TWINS!” (This book was reviewed digitally with 9-by-22-inch double-page spreads viewed at 52% of actual size.)
A retro-futuristic romp, literally and figuratively screwy. (Picture book. 5-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-544-98731-9
Page Count: 32
Publisher: Clarion Books
Review Posted Online: June 2, 2020
Kirkus Reviews Issue: June 15, 2020
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