by Gilles Eduar & translated by Dominic Barth & illustrated by Gilles Eduar ‧ RELEASE DATE: Sept. 1, 1997
Despite the preliminarily disenchanting premise of the different-one-who-wins, Eduar, with ebullient illustrations that blaze with tropical scenery and color, sweeps readers into the saga of how Jooka-zay-kajoo's search for his unique identity leads him to unity with the crocodiles. It isn't just Jooka's name that's weird, but everything else as well: his red-striped tank top, his antennas, his falling asleep in the water (because he then bumps into the bridge and wakes everyone from siesta). The crocodiles accept Jooka anyway, until the day he sneezes fire and wings pop out of his shirt. The frightened crocs run away, and Zooka sadly paddles his boat to a rocky little island, the home of Theo, a wise pelican. Theo not only tells Jooka what he is—a dragon—but also trains him to strengthen his gifts before sending him back to his crocodile friends. By this time, they need him to get back the crocodiles taken by hunters; Jooka saves the captured with his fire and flight, and the book closes with a reunion. Vibrant illustrations and small touches lift this story from the ordinary, and establish a magical world akin to that of Babar—a world that readers will respond to happily. (Picture book. 3-7)
Pub Date: Sept. 1, 1997
ISBN: 0-531-30036-6
Page Count: 40
Publisher: Orchard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1997
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by Jonathan London ; illustrated by Gilles Eduar
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by Kobi Yamada ; illustrated by Natalie Russell ‧ RELEASE DATE: March 1, 2017
A sweet, soft conversation starter and a charming gift.
Awards & Accolades
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Google Rating
New York Times Bestseller
A paean to teachers and their surrogates everywhere.
This gentle ode to a teacher’s skill at inspiring, encouraging, and being a role model is spoken, presumably, from a child’s viewpoint. However, the voice could equally be that of an adult, because who can’t look back upon teachers or other early mentors who gave of themselves and offered their pupils so much? Indeed, some of the self-aware, self-assured expressions herein seem perhaps more realistic as uttered from one who’s already grown. Alternatively, readers won’t fail to note that this small book, illustrated with gentle soy-ink drawings and featuring an adult-child bear duo engaged in various sedentary and lively pursuits, could just as easily be about human parent- (or grandparent-) child pairs: some of the softly colored illustrations depict scenarios that are more likely to occur within a home and/or other family-oriented setting. Makes sense: aren’t parents and other close family members children’s first teachers? This duality suggests that the book might be best shared one-on-one between a nostalgic adult and a child who’s developed some self-confidence, having learned a thing or two from a parent, grandparent, older relative, or classroom instructor.
A sweet, soft conversation starter and a charming gift. (Picture book. 4-7)Pub Date: March 1, 2017
ISBN: 978-1-943200-08-5
Page Count: 32
Publisher: Compendium
Review Posted Online: Dec. 13, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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by Chloe Perkins ; illustrated by Sandra Equihua ‧ RELEASE DATE: Sept. 13, 2016
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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adapted by Hannah Eliot ; illustrated by Nivea Ortiz
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