Some readers will enjoy it, especially those with little experience in the genre. It’s all been done, better. (Supernatural...
This third book in Shield’s continuing supernatural series (Immortal, 2009, etc.) can feed the needs only of those who crave 100-percent full gothic fiction.
With good and evil witches’ covens, an ancient Stonehenge-like circle, a magically sealed attic room, an abbey turned school and romance both natural and supernatural, the author does her best to include every convention of the genre. This book focuses on Sarah, a part-gypsy–turned-lady student and member of the good witches’ coven, who struggles to keep the group together when best friend Evie tries to bow out. The main bad witch, thought vanquished in the previous installment, returns to wreak havoc. Havoc includes, in the most imaginative portion of the book, tempting Sarah into mysterious caves where gnomelike underground rock creatures can capture her and hold her forever. Gothic conventions continue as riders gallop wildly across the moors, ghosts appear when summoned and every kiss equals an out-of-body experience. Place names typically include y’s or double f’s or both, as in “Wyldcliffe Abbey School for Young Ladies,” the novel’s setting. Emotions, romances and dramatic situations turn on and off with the sudden intensity of a melodramatic silent movie from the 19-teens, a scenario also called to mind by much of the dialogue.
Some readers will enjoy it, especially those with little experience in the genre. It’s all been done, better. (Supernatural romance. 12 & up)Pub Date: Aug. 2, 2011
ISBN: 978-0-06-200039-2
Page Count: 368
Publisher: Katherine Tegen/HarperCollins
Review Posted Online: June 28, 2011
Kirkus Reviews Issue: July 1, 2011
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
Raw, delicate, and deeply caring.
When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.
In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.
Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)Pub Date: May 6, 2025
ISBN: 9780063240858
Page Count: 720
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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