Straightforward—with a little bit of fun
Time zones are not always easy to understand.
This book starts out in San Francisco, California, at 6 a.m. with a yawning city dweller looking out on a cable car. Each page uses the same format with the time spelled out on the top (“It’s seven o’clock in the morning”) and the phrase “And somewhere in the world…” at the bottom. In between, there is a descriptive sentence usually identifying a city and country (or state in the U.S.) for each zone, traveling eastward. A full-bleed painting, often featuring comical animals as well as humans and sights, illustrates each page. (For most locales, residents are depicted, but occasionally only white visitors are seen, as at the Taj Mahal and South Pole Station). There is a timepiece in each picture to look for. Occasionally there are grown-up jokes. “A girl from Ipanema goes walking on a beach” in Rio. Visual jokes for younger readers also appear. At noon, one penguin in the South Sandwich Islands in the southern Atlantic poses for another drawing a picture. Famous tourist sites are often the focus. Eventually, the scene returns to San Francisco, but not before a moose nonchalantly walks through the streets of Anchorage, Alaska, at 5 a.m. There are two pages of explanatory material, including instructions for making a sundial. Unfortunately, there is no world map delineating the zones.
Straightforward—with a little bit of fun . (Informational picture book. 5-8)Pub Date: May 15, 2017
ISBN: 978-1-58536-976-8
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: March 5, 2017
Kirkus Reviews Issue: March 15, 2017
BOOK REVIEW
Embedded in this heartwarming story of doing the right thing is a deft examination of the pressures of income inequality on...
Continuing from their acclaimed Those Shoes (2007), Boelts and Jones entwine conversations on money, motives, and morality.
This second collaboration between author and illustrator is set within an urban multicultural streetscape, where brown-skinned protagonist Ruben wishes for a bike like his friend Sergio’s. He wishes, but Ruben knows too well the pressure his family feels to prioritize the essentials. While Sergio buys a pack of football cards from Sonny’s Grocery, Ruben must buy the bread his mom wants. A familiar lady drops what Ruben believes to be a $1 bill, but picking it up, to his shock, he discovers $100! Is this Ruben’s chance to get himself the bike of his dreams? In a fateful twist, Ruben loses track of the C-note and is sent into a panic. After finally finding it nestled deep in a backpack pocket, he comes to a sense of moral clarity: “I remember how it was for me when that money that was hers—then mine—was gone.” When he returns the bill to her, the lady offers Ruben her blessing, leaving him with double-dipped emotions, “happy and mixed up, full and empty.” Readers will be pleased that there’s no reward for Ruben’s choice of integrity beyond the priceless love and warmth of a family’s care and pride.
Embedded in this heartwarming story of doing the right thing is a deft examination of the pressures of income inequality on children. (Picture book. 5-8)Pub Date: Oct. 4, 2016
ISBN: 978-0-7636-6649-1
Page Count: 40
Publisher: Candlewick
Review Posted Online: July 19, 2016
Kirkus Reviews Issue: Aug. 1, 2016
A solo debut for Wenzel showcasing both technical chops and a philosophical bent.
Wouldn’t the same housecat look very different to a dog and a mouse, a bee and a flea, a fox, a goldfish, or a skunk?
The differences are certainly vast in Wenzel’s often melodramatic scenes. Benign and strokable beneath the hand of a light-skinned child (visible only from the waist down), the brindled cat is transformed to an ugly, skinny slinker in a suspicious dog’s view. In a fox’s eyes it looks like delectably chubby prey but looms, a terrifying monster, over a cowering mouse. It seems a field of colored dots to a bee; jagged vibrations to an earthworm; a hairy thicket to a flea. “Yes,” runs the terse commentary’s refrain, “they all saw the cat.” Words in italics and in capital letters in nearly every line give said commentary a deliberate cadence and pacing: “The cat walked through the world, / with its whiskers, ears, and paws… // and the fish saw A CAT.” Along with inviting more reflective viewers to ruminate about perception and subjectivity, the cat’s perambulations offer elemental visual delights in the art’s extreme and sudden shifts in color, texture, and mood from one page or page turn to the next.
A solo debut for Wenzel showcasing both technical chops and a philosophical bent. (Picture book. 6-8)Pub Date: Aug. 30, 2016
ISBN: 978-1-4521-5013-0
Page Count: 44
Publisher: Chronicle Books
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
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