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FELIX

Overall, an agreeable world tour.

A house cat with just two lives left visits his extended family around the world.

Felix numbers among his many friends the cushions he sleeps on and his owner’s legs, but one hot night he decides to meet those family members he’s never seen. He leaves “the way cats always leave when they want to see the world—silently, through a little door in the darkness.” In India, he visits the Tigers, eats shrimp, and drinks mango juice; in China, he has tea and herrings with Mr. and Mrs. Snow Leopard; in Russia, Mr. Lynx offers him blini; in the United States, he has steak with Mr. Puma; in Brazil, his “mysterious” cousin the panther gives him kebabs; and on the African savanna, he catches up on his sleep with a pride of lions. Felix’s travelogue shares many of the faults of the form—the relegation of cultural nuance to named foodstuffs, a whiff of exoticism, and, in particular, the equation of Africa to individual countries—but its presumably European perspective (this is an Italian import) means that American readers are treated to a vision of the U.S. that’s as reductive as all too many U.S. travelogues are of the rest of the world. Mulazzani’s luscious paintings place gray Felix (clad in blue vest and ever changing plaid shorts) in dreamlike yet friendly global scenarios. Zoboli’s text in Watkinson’s translation is just as plush and whimsical.

Overall, an agreeable world tour. (Picture book. 5-8)

Pub Date: Aug. 28, 2018

ISBN: 978-0-8028-5506-0

Page Count: 32

Publisher: Eerdmans

Review Posted Online: June 24, 2018

Kirkus Reviews Issue: July 15, 2018

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CREEPY PAIR OF UNDERWEAR!

Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with...

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Reynolds and Brown have crafted a Halloween tale that balances a really spooky premise with the hilarity that accompanies any mention of underwear.

Jasper Rabbit needs new underwear. Plain White satisfies him until he spies them: “Creepy underwear! So creepy! So comfy! They were glorious.” The underwear of his dreams is a pair of radioactive-green briefs with a Frankenstein face on the front, the green color standing out all the more due to Brown’s choice to do the entire book in grayscale save for the underwear’s glowing green…and glow they do, as Jasper soon discovers. Despite his “I’m a big rabbit” assertion, that glow creeps him out, so he stuffs them in the hamper and dons Plain White. In the morning, though, he’s wearing green! He goes to increasing lengths to get rid of the glowing menace, but they don’t stay gone. It’s only when Jasper finally admits to himself that maybe he’s not such a big rabbit after all that he thinks of a clever solution to his fear of the dark. Brown’s illustrations keep the backgrounds and details simple so readers focus on Jasper’s every emotion, writ large on his expressive face. And careful observers will note that the underwear’s expression also changes, adding a bit more creep to the tale.

Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with Dr. Seuss’ tale of animate, empty pants. (Picture book. 5-8)

Pub Date: Aug. 22, 2017

ISBN: 978-1-4424-0298-0

Page Count: 48

Publisher: Simon & Schuster

Review Posted Online: July 14, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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