Glowing and overflowing with the legacy of the author who inspired it.
A charming tale in tribute to the life and imagination of storytelling powerhouse Toni Morrison.
Small-Girl Toni is certain that stories—her stories—can change the world. Many adults in her predominantly Black community disagree, but Small-Girl Toni does what real-life Morrison will become known for when faced with doubt from critics—she tells stories anyway. Like stories about treasure in her town to draw her siblings into a hunt. The foursome pick blackberries as they search for doubloons in lonely Ms. Solomon’s backyard; they offer to walk Widow Sersee’s dogs in the hope the canines will sniff out long-buried gold; they peer enthusiastically through the candy shop window at golden treats, only to be rebuffed by the white store owner. All the while Small-Girl Toni spins her tales, and as the siblings arrive home glumly with no treasure, she helps them see the gold they found along the way—“It’s all in how you tell the story.” Bold softness is as much a signature for Figueroa’s illustrations as it is for Morrison herself. Bright, rich spreads celebrate the deep roots of Toni’s small town and the exuberant heights of her story landscapes. Readers will return again and again to search the pages—younger ones to find the different examples of gold and older ones to find Anatol’s creative nods to Morrison’s writings, referenced in the appended biographical note.
Glowing and overflowing with the legacy of the author who inspired it. (Picture book. 4-8)Pub Date: Dec. 26, 2023
ISBN: 9780593404867
Page Count: 32
Publisher: Viking
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A sweet, if oft-told, story.
A plush toy rabbit bonds with a boy and watches him grow into adulthood.
The boy receives the blue bunny for his birthday and immediately becomes attached to it. Unbeknownst to him, the ungendered bunny is sentient; it engages in dialogue with fellow toys, giving readers insight into its thoughts. The bunny's goal is to have grand adventures when the boy grows up and no longer needs its company. The boy spends many years playing imaginatively with the bunny, holding it close during both joyous and sorrowful times and taking it along on family trips. As a young man, he marries, starts a family, and hands over the beloved toy to his toddler-aged child in a crib. The bunny's epiphany—that he does not need to wait for great adventures since all his dreams have already come true in the boy's company—is explicitly stated in the lengthy text, which is in many ways similar to The Velveteen Rabbit (1922). The illustrations, which look hand-painted but were digitally created, are moderately sentimental with an impressionistic dreaminess (one illustration even includes a bunny-shaped cloud in the sky) and a warm glow throughout. The depiction of a teenage male openly displaying his emotions—hugging his beloved childhood toy for example—is refreshing. All human characters present as White expect for one of the boy’s friends who is Black.
A sweet, if oft-told, story. (Picture book. 4-8)Pub Date: Feb. 1, 2022
ISBN: 978-1-72825-448-7
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Jan. 11, 2022
Kirkus Reviews Issue: Feb. 1, 2022
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