THE WIZARD OF THE KREMLIN

Part fiction and part freewheeling analysis, an insider's look at the world of Vladimir Putin.

The book's narrator is Vadim Baranov, a fictional stand-in for Vladislav Surkov, the young ideologue and spin doctor known as "Putin's Rasputin." Baranov becomes attached to Putin in the late 1990s, when Putin is the largely unknown head of the FSB. With his background in theater and television, Baranov becomes part of media-savvy billionaire Boris Berezovsky's campaign to promote Putin as a strong, decisive, fear-inspiring replacement for the boozing, ideologically soft Boris Yeltsin. The Russian people, Putin's supporters say, crave a return to the time when the Kremlin "set the tone" and "had a certain moral superiority over the private sector." And also when cell phones didn't ring during performances of the Bolshoi Ballet. Culturally hip with references to Sex and the City, Johnny Depp, and Putin's appearance on Larry King Live, the cooly detached Baranov is less interested in exposing the sins of the president, to whom he refers as tsar, than tossing off pithy observations, opinions, and hard insights in what amounts to an epic monologue. With elements of Baranov's personal life mixed into the narrative, the book can be quite entertaining—though not for those unhappy with Baranov's essentially admiring portrait of Putin, which da Empoli, who was an advisor to former Italian Prime Minister Matteo Renzi, does little to diffuse. First published in 2022 in France and then Italy, this bestselling, prize-winning quasi-novel was viewed by some as dangerous propaganda at a time when Putin was waging war in Ukraine. "Power is like the sun, like death: you can’t look at it head-on," the author writes, highlighting one of his own shortcomings.

An authoritative but skewed look at recent Russian history.