A jubilant combination of verse and illustration that captures this momentous historical event.
A Black family gathers on Juneteenth.
David’s family has joined relatives to celebrate the holiday in Galveston, Texas. After the parades, speeches, food, and music, the culminating activity is David’s grandmother’s telling the story of her grandmother Mom Bess and the events that came to be known as Juneteenth. The rumors that freedom was coming for enslaved people finally came true with the arrival of a White soldier on horseback who read the Emancipation Proclamation. Bess, who was 6 at the time, did not understand until her mother explained what freedom meant. The newly freed began to plan what they would do next. Bess’ parents started to work for wages, eventually purchasing land and providing an opportunity for Bess to get an education. The afterword explains that although President Abraham Lincoln issued the Emancipation Proclamation to take effect Jan. 1, 1863, enslaved people in Texas did not learn of the change in their status until June 19, 1865. For years some states celebrated the holiday. In June 2021, President Joe Biden declared Juneteenth a federal holiday. Armand uses the same meter as Clement C. Moore’s “ ’Twas the Night Before Christmas,” evoking the same anticipation—in this case for freedom. Infused with movement, Barksdale’s lively, fluid colorful, acrylic, oil, and pastel watercolor pencil illustrations complement the rhythmic text that centers family and story. (This book was reviewed digitally.)
A jubilant combination of verse and illustration that captures this momentous historical event. (Informational picture book. 4-8)Pub Date: May 2, 2023
ISBN: 978-0-593-56746-3
Page Count: 40
Publisher: Crown
Review Posted Online: March 28, 2023
Kirkus Reviews Issue: April 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Lovely illustrations wasted on this misguided project.
The Celebrate the World series spotlights Lunar New Year.
This board book blends expository text and first-person-plural narrative, introducing readers to the holiday. Chau’s distinctive, finely textured watercolor paintings add depth, transitioning smoothly from a grand cityscape to the dining room table, from fantasies of the past to dumplings of the present. The text attempts to provide a broad look at the subject, including other names for the celebration, related cosmology, and historical background, as well as a more-personal discussion of traditions and practices. Yet it’s never clear who the narrator is—while the narrative indicates the existence of some consistent, monolithic group who participates in specific rituals of celebration (“Before the new year celebrations begin, we clean our homes—and ourselves!”), the illustrations depict different people in every image. Indeed, observances of Lunar New Year are as diverse as the people who celebrate it, which neither the text nor the images—all of the people appear to be Asian—fully acknowledges. Also unclear is the book’s intended audience. With large blocks of explication on every spread, it is entirely unappealing for the board-book set, and the format may make it equally unattractive to an older, more appropriate audience. Still, readers may appreciate seeing an important celebration warmly and vibrantly portrayed.
Lovely illustrations wasted on this misguided project. (Board book. 4-8)Pub Date: Dec. 11, 2018
ISBN: 978-1-5344-3303-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Dec. 4, 2018
Kirkus Reviews Issue: Jan. 1, 2019
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for.
An overview of the modern African-American holiday.
This book arrives at a time when black people in the United States have had intraracial—some serious, some snarky—conversations about Kwanzaa’s relevance nowadays, from its patchwork inspiration that flattens the cultural diversity of the African continent to a single festive story to, relatedly, the earnest blacker-than-thou pretentiousness surrounding it. Both the author and consultant Keith A. Mayes take great pains—and in painfully simplistic language—to provide a context that attempts to refute the internal arguments as much as it informs its intended audience. In fact, Mayes says in the endnotes that young people are Kwanzaa’s “largest audience and most important constituents” and further extends an invitation to all races and ages to join the winter celebration. However, his “young people represent the future” counterpoint—and the book itself—really responds to an echo of an argument, as black communities have moved the conversation out to listen to African communities who critique the holiday’s loose “African-ness” and deep American-ness and moved on to commemorate holidays that have a more historical base in black people’s experiences in the United States, such as Juneteenth. In this context, the explications of Kwanzaa’s principles and symbols and the smattering of accompanying activities feel out of touch.
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for. (resources, bibliography, glossary, afterword) (Nonfiction. 5-8)Pub Date: Sept. 5, 2017
ISBN: 978-1-4263-2849-7
Page Count: 40
Publisher: National Geographic Kids
Review Posted Online: Oct. 27, 2017
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