by Glenda Millard & illustrated by Rebecca Cool ‧ RELEASE DATE: March 1, 2012
At once stately and soothing—a fine choice for bedtime sharing or for calming ruffled spirits in general.
In sonorous cumulative verse, a seasonal round set in a garden rich in color, flowers and children.
Beginning and ending with the soil “all dark and deep,” seeds sprout, rain falls and flowers “waltz with the wind.” A songbird hatches, leaves turn, a mantis vainly prays to the moon “that winter come never or not quite so soon.” Jack Frost dances past, leaving an empty nest and “a handful of seeds for the wild wind to blow. / Enough, just enough, for a garden to grow.” Against backdrops of vibrant greens and blues, Cool poses a group of stylized children with distant eyes widely set in modernist, Picasso-esque faces, dressed in brightly patterned clothing and busily digging, watering, playing and, in season, harvesting. Millard introduces subtle changes in wording to the repeated lines to stave off monotony, and the leaves and patterns in the pictures create a dance of color that rises and falls in energy as the annual cycle turns.
At once stately and soothing—a fine choice for bedtime sharing or for calming ruffled spirits in general. (Picture book. 6-8)Pub Date: March 1, 2012
ISBN: 978-0-7636-6016-1
Page Count: 32
Publisher: Candlewick
Review Posted Online: Feb. 4, 2012
Kirkus Reviews Issue: Feb. 15, 2012
Share your opinion of this book
More by Glenda Millard
BOOK REVIEW
by Glenda Millard ; illustrated by Stephen Michael King
BOOK REVIEW
BOOK REVIEW
by Glenda Millard ; illustrated by Phil Lesnie
by Julian Lennon with Bart Davis ; illustrated by Smiljana Coh ‧ RELEASE DATE: April 11, 2017
“It’s time to head back home,” the narrator concludes. “You’ve touched the Earth in so many ways.” Who knew it would be so...
A pro bono Twinkie of a book invites readers to fly off in a magic plane to bring clean water to our planet’s oceans, deserts, and brown children.
Following a confusingly phrased suggestion beneath a soft-focus world map to “touch the Earth. Now touch where you live,” a shake of the volume transforms it into a plane with eyes and feathered wings that flies with the press of a flat, gray “button” painted onto the page. Pressing like buttons along the journey releases a gush of fresh water from the ground—and later, illogically, provides a filtration device that changes water “from yucky to clean”—for thirsty groups of smiling, brown-skinned people. At other stops, a tap on the button will “help irrigate the desert,” and touching floating bottles and other debris in the ocean supposedly makes it all disappear so the fish can return. The 20 children Coh places on a globe toward the end are varied of skin tone, but three of the four young saviors she plants in the flier’s cockpit as audience stand-ins are white. The closing poem isn’t so openly parochial, though it seldom rises above vague feel-good sentiments: “Love the Earth, the moon and sun. / All the children can be one.”
“It’s time to head back home,” the narrator concludes. “You’ve touched the Earth in so many ways.” Who knew it would be so easy to clean the place up and give everyone a drink? (Picture book. 6-8)Pub Date: April 11, 2017
ISBN: 978-1-5107-2083-1
Page Count: 40
Publisher: Sky Pony Press
Review Posted Online: Feb. 3, 2017
Kirkus Reviews Issue: Feb. 15, 2017
Share your opinion of this book
More In The Series
by Julian Lennon & Bart Davis ; illustrated by Smiljana Coh
More by Julian Lennon
BOOK REVIEW
by Julian Lennon & Bart Davis ; illustrated by Smiljana Coh
by Kirsten Hall ; illustrated by Isabelle Arsenault ‧ RELEASE DATE: May 8, 2018
Readers (and listeners) will think that this book is the bee’s knees.
Children will be buzzing to learn more about honeybees after reading this story.
Hall takes her readers on a sunny romp through a springtime pasture abuzz with friendly honeybees in this bright and cheerful picture book. Hall’s rhyme scheme is inviting and mirrors the staccato sounds of a bee buzzing. At times, however, meaning seems to take a back seat to the rhyme. The bees are suggested to “tap” while flying, a noise that adult readers might have trouble explaining to curious listeners. Later, the “hill” the bees return to may elicit further questions, as this point is not addressed textually or visually. Minor quibbles aside, the vocabulary is on-point as the bees demonstrate the various stages of nectar collection and honey creation. Arsenault’s illustrations, a combination of ink, gouache, graphite, and colored pencil, are energetic and cheerful. Extra points should be awarded for properly illustrating a natural honeybee hive (as opposed to the often depicted wasp nest). The expressive bees are also well-done. Their faces are welcoming, but their sharp noses hint at the stingers that may be lurking behind them. Hall’s ending note to readers will be appreciated by adults but will require their interpretation to be accessible to children. A sensible choice for read-alouds and STEAM programs.
Readers (and listeners) will think that this book is the bee’s knees. (Picture book. 6-8)Pub Date: May 8, 2018
ISBN: 978-1-4814-6997-5
Page Count: 48
Publisher: Atheneum
Review Posted Online: March 17, 2018
Kirkus Reviews Issue: April 1, 2018
Share your opinion of this book
More by Kirsten Hall
BOOK REVIEW
by Kirsten Hall ; illustrated by Aki
BOOK REVIEW
by Kirsten Hall ; illustrated by Jenni Desmond
BOOK REVIEW
by Kirsten Hall ; illustrated by Melissa Crowton
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.