A flawed but beautiful and tragic story of hope.
Traumatized Alice and Manny find love and healing with each other.
Alice Nightingale, age 15, was sexually assaulted at 12, a story which emerges in pieces over the course of the book. Due to resultant brain injury, Alice is stuck in “twelveness” though she questions the doctors’ prognosis. Alice’s thoughts are presented without capitalization and often as beautiful, fragmented poetry, giving her character a unique voice. The Nightingales are poor, but Alice is content with her faithful dog, caring for her ailing grandmother, and spending time with her loving brother, Joey. Endearing, sweet 16-year-old Manny James, the book’s second voice, is a black immigrant from Sierra Leone who sees Alice (“her hair was red as fire and her skin was pale as bone”) while running one night. Thus begins a disappointing pattern of fetishizing Alice’s long hair and paleness. As a former child soldier, Manny has suffered trauma too painful to recall, just like Alice, and though they find solace and healing in each other, it seems unlikely that traumatized Alice could “shed [her] twelveness like a skin” by having sex. It’s a shame that such lush writing and solid character development in a book that explores important themes like trauma, healing, bullying, and classism is marred by a tired trope and a random, rather unbelievable ending that includes Alice’s seemingly sudden cure.
A flawed but beautiful and tragic story of hope. (Fiction. 14-adult)Pub Date: May 8, 2018
ISBN: 978-0-7636-9272-8
Page Count: 288
Publisher: Candlewick
Review Posted Online: April 9, 2018
Kirkus Reviews Issue: May 1, 2018
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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