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FORGIVE THE RIVER, FORGIVE THE SKY

In a patchy but engaging short novel, a child cures a hurt of her own by battering down the emotional walls an injured man has erected around himself. A year after her father died of a heart attack while fishing in his beloved river, Lily watches fences going up around her former home, and resolves that they won’t keep her out. She loves—and blames—the river, and finds, in the house’s new owner, someone who is just as ambivalent about the sky: Paraplegic ex-test pilot T.R. Tracy considered the sky safe before a crash robbed him of the use of his legs. Lily ignores T.R.’s attempts to fend her off, and they quickly become friends. Although Lily doesn’t make T.R. a “project,” readers will understand how she draws him out of his self-imposed shell; on the other hand, a string of activities with her friend Laura is only weakly connected to the main story, and T.R., though wheelchair-bound, gets around with suspicious ease. The supporting characters are sketchy, but Lily is as irresistible as a force of nature, and the northern Michigan setting has almost as much presence. In the end, T.R. accepts an offer to test aircraft adapted for disabled pilots, and Lily discovers that her grief is no longer quite so sharp. The story never really comes together, but readers will appreciate Lily’s take- no-prisoners style of dealing with adults. (Fiction. 10-12)

Pub Date: May 1, 1998

ISBN: 0-8028-5155-X

Page Count: 106

Publisher: Eerdmans

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1998

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THE SCHOOL STORY

A world-class charmer, Clements (The Janitor’s Boy, 2000, etc.) woos aspiring young authors—as well as grown up publishers, editors, agents, parents, teachers, and even reviewers—with this tongue-in-cheek tale of a 12-year-old novelist’s triumphant debut. Sparked by a chance comment of her mother’s, a harried assistant editor for a (surely fictional) children’s imprint, Natalie draws on deep reserves of feeling and writing talent to create a moving story about a troubled schoolgirl and her father. First, it moves her pushy friend Zoe, who decides that it has to be published; then it moves a timorous, second-year English teacher into helping Zoe set up a virtual literary agency; then, submitted pseudonymously, it moves Natalie’s unsuspecting mother into peddling it to her waspish editor-in-chief. Depicting the world of children’s publishing as a delicious mix of idealism and office politics, Clements squires the manuscript past slush pile and contract, the editing process, and initial buzz (“The Cheater grabs hold of your heart and never lets go,” gushes Kirkus). Finally, in a tearful, joyous scene—carefully staged by Zoe, who turns out to be perfect agent material: cunning, loyal, devious, manipulative, utterly shameless—at the publication party, Natalie’s identity is revealed as news cameras roll. Selznick’s gnomic, realistic portraits at once reflect the tale’s droll undertone and deftly capture each character’s distinct personality. Terrific for flourishing school writing projects, this is practical as well as poignant. Indeed, it “grabs hold of yourheart and never lets go.” (Fiction. 10-12)

Pub Date: June 1, 2001

ISBN: 0-689-82594-3

Page Count: 160

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2001

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BEOWULF

“Hear, and listen well, my friends, and I will tell you a tale that has been told for a thousand years and more.” It’s not exactly a rarely told tale, either, though this complete rendition is distinguished by both handsome packaging and a prose narrative that artfully mixes alliterative language reminiscent of the original, with currently topical references to, for instance, Grendel’s “endless terror raids,” and the “holocaust at Heorot.” Along with being printed on heavy stock and surrounded by braided borders, the text is paired to colorful scenes featuring a small human warrior squaring off with a succession of grimacing but not very frightening monsters in battles marked by but a few discreet splashes of blood. Morpurgo puts his finger on the story’s enduring appeal—“we still fear the evil that stalks out there in the darkness . . . ”—but offers a version unlikely to trouble the sleep of more sensitive readers or listeners. (Fiction. 10-12)

Pub Date: Nov. 1, 2006

ISBN: 0-7636-3206-6

Page Count: 96

Publisher: Candlewick

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Oct. 15, 2006

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