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DEATH AND THE FINAL CUT

A routine, professional whodunit providing yet more evidence that filmmaking is murder.

A film crew comes to the hallowed city of Cambridge, England, bringing in its wake disruptions, secrets, lies, and murder.

The most notable feature of the team making Viking Bride is the number of failed actors it includes. One of them, Ernest Eastman, is producing the film. Another, Alain Vernon, is directing. Still another, Devon Ashleigh, is the prop master—or, as he prefers to be called, the properties director. All of these are upstaged by Agnes Dermont, the star, whose failure is in the present tense: “She was never a great actress, but she was turning into a terrible one.” The only reason Agnes, who’s pushing 50, was cast as the Viking bride is that she’s married to Alain Vernon, who’s clearly miscalculated badly in seeking to establish himself as a force in the industry by helming a vehicle for his over-the-hill wife. So Agnes’ fatal stabbing by a prop knife while she’s in full costume in Cambridge’s Round Church proves a stroke of luck for many participants who’d feared she’d sink the production. The most obvious beneficiary is Magritte Grimes, the bride’s younger sister, Agnes’ unofficial understudy, and the performer who should have been cast in the title role from the beginning. Cambridgeshire DCI Arthur St. Just, who’s looking forward to his wedding to crime novelist Portia De’Ath, questions the interested parties fully aware that they differ from the suspects in most of his investigations because they’re “such renowned, professional liars.” Soon enough, the obligatory jealousies, rivalries, hidden romances, and blackmail attempts rise to the surface, making everyone look guilty. But fans will have no trouble spotting the killer even before the seasoned St. Just.

A routine, professional whodunit providing yet more evidence that filmmaking is murder.

Pub Date: Nov. 4, 2025

ISBN: 9781448314737

Page Count: 256

Publisher: Severn House

Review Posted Online: Sept. 13, 2025

Kirkus Reviews Issue: Oct. 15, 2025

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THE BLACK WOLF

Don’t feel that your current news feed is disturbing enough? Penny has just what you need.

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  • New York Times Bestseller

A sequel to The Grey Wolf (2024) that begins with the earlier novel’s last line: “We have a problem.” And what a problem it is.

Now that Chief Inspector Armand Gamache and his allies in and out of the Sûreté du Québec have saved Canada’s water supply from poisoning on a grand scale, you might think they were entitled to some rest and relaxation in Three Pines. No such luck. Don Joseph Moretti, the Sixth Family head who ordered the hit-and-run on biologist Charles Langlois that nearly killed Gamache as well, is plotting still more criminal enterprises, and Gamache can’t be sure that Chief Inspector Evelyn Tardiff, who’s been cozying up to Moretti in order to get the goods on him, hasn’t gone over to the dark side herself. In fact, Gamache’s uncertainty about Evelyn sets the pattern for much of what follows, for another review of one of Langlois’ notebooks reveals a plot so monstrous that it’s impossible to be sure who’s not in on it. Is it really true, as paranoid online rumors have it, that “Canada is about to attack the U.S.”? Or is it really the other way around, as the discovery of War Plan Red would have it? As the threats loom larger and larger, they raise questions as to whether the Black Wolf, the evil power behind them, is Moretti, disgraced former Deputy Prime Minister Marcus Lauzon, whom Gamache has arranged to have released from prison, or someone even more highly placed. A brief introductory note dating Penny’s delivery of the uncannily prophetic manuscript to September 2024 will do little to assuage the anxieties of concerned readers.

Don’t feel that your current news feed is disturbing enough? Penny has just what you need.

Pub Date: Oct. 28, 2025

ISBN: 9781250328175

Page Count: 384

Publisher: Minotaur

Review Posted Online: July 17, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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