by Gordon Snell & illustrated by Kevin O'Malley ‧ RELEASE DATE: Oct. 1, 2002
Snell (Thicker Than Water, 2001, etc.) provides new words to the old Christmas song of “The Twelve Days of Christmas,” with a more modern theme that may be more accessible to today’s children. For the first day of Christmas a little girl’s parents give her “a star-topped little pine tree,” which fits the rhythm of “a partridge in a pear tree” neatly. On subsequent days they offer decorations for the tree, and as the ornaments increase in size, so does the tree, dad pumping it up as the surrounding decorations changing shape as well. For the last few days of the song, the house has fallen away and the tremendously tall tree is outside, where it is surrounded by nine smiling snowmen, 10 red-nosed reindeer, 11 eager elves, and 12 Christmas angels. In the final two spreads, Santa himself arrives, giving the little girl a ride in his sleigh. O’Malley (Little Buggy, 2002) hides some clever details in his illustrations, particularly in the first and last pages showing the little girl (still) asleep in her bedroom. Some of the items in her room are used as the decorations for the tree, and in the last illustration, Santa has left some little surprises for Christmas morning that children will delight in spotting. This offers lots of possibilities for Christmas story times, using the music or props or flannel-board pieces. Its magical illustrations definitely call for repeat readings. (Picture book. 3-7)
Pub Date: Oct. 1, 2002
ISBN: 0-06-028954-6
Page Count: 32
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2002
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by Gordon Snell & illustrated by David McKee
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by Alastair Heim ; illustrated by Aristides Ruiz ‧ RELEASE DATE: Sept. 5, 2023
It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property.
Since a reformed Grinch is hardly any fun, this follow-up Grinches him up once more.
Those seeking more of the same, prepare to receive precisely that. Christmas is coming (again!), and the Grinch can hardly wait. He’s been patient all year, and now he can finally show the Whos down in Who-ville how much he’s changed. When the Grinch learns of a tree-decorating contest, he figures that if he wins, it’ll prove he truly has the Christmas spirit. He throws himself into the task, but when it comes time to judge the trees, the Grinch is horrified to discover that he’s received only the second-place trophy. Can Cindy-Lou Who find the words to save the day? Replicating many of the original beats and wordplay of the original, this tale feels like less a sequel and more like a vaguely rewritten variation. Meanwhile, Ruiz’s art seeks to bridge the gap between the animated Chuck Jones version of the Grinch and the one depicted in the original book. This thankless task results in a strange uncanny valley between Seuss and Jones but does allow the artist a chance to colorize everything and lend some racial diversity to the Who population (Cindy-Lou is light-skinned). (This book was reviewed digitally.)
It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property. (Picture book. 3-6)Pub Date: Sept. 5, 2023
ISBN: 9780593563168
Page Count: 40
Publisher: Random House
Review Posted Online: Aug. 15, 2023
Kirkus Reviews Issue: Sept. 1, 2023
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by Alastair Heim ; illustrated by Michelle Tran
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by Alastair Heim ; illustrated by Sara Not
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by Alastair Heim ; illustrated by Matt Hunt
by Eric Carle ; illustrated by Eric Carle ‧ RELEASE DATE: Dec. 15, 2015
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
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edited by Eric Carle
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