by Gore Vidal with Jon Wiener ‧ RELEASE DATE: April 9, 2013
Missing the voice and presence of a man who could be an outrageously entertaining speaker, these transcripts fail to match...
These transcripts of four interviews with the late man of letters offer some provocative volleys but cover the same ground too often and don’t show Vidal fully amplifying his ideas.
Nation contributor Wiener (History/Univ. of California, Irvine; How We Forgot the Cold War: A Historical Journey Across America, 2012, etc.) promises that the book “offers Vidal in a more sustained mode of conversation: developing arguments, tracing connections between past and present, citing evidence. Of course he provides plenty of one-liners and zingers along the way.” The zingers have more staying power, whether he’s identifying John F. Kennedy (“a friend of mine,”) as “a flippant figure of no depth” and “a mistake as a president” or dismissing generations of the Bush clan as “the most negligible family in the country.” The two shorter and more recent (2007 and 2006) interviews that begin the book were public performances in Los Angeles, with questions from the audience as well. The earlier and more substantial ones are from a radio interview in 2000 and a 1988 print piece in Radical History Review. Much is made throughout of Vidal’s historical fiction, particularly Empire (1987), his once scandalous Myra Breckinridge (1968) and his best-known play, The Best Man (1960). His sympathetic interviewer never questions his subject’s assertions, whether he’s claiming that this country has “the worst educational system for the average citizen, for the non-rich, in the world” or charging that the culture in general and the New York Times in particular had it out for him following an early novel about gay life. He also believed that Franklin Roosevelt had advance warning of Pearl Harbor and that Bush knew about the 9/11 attacks and could have stopped them.
Missing the voice and presence of a man who could be an outrageously entertaining speaker, these transcripts fail to match the depth of his writing, as well.Pub Date: April 9, 2013
ISBN: 978-1619021747
Page Count: 128
Publisher: Counterpoint
Review Posted Online: Feb. 5, 2013
Kirkus Reviews Issue: March 1, 2013
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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