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A BIG BED FOR LITTLE SNOW

A sweet and clever modern myth that may send readers back to its lauded companion.

At the beginning of winter, Little Snow’s mother fills his big, sky-blue bed with feathers and reminds him that it is “for sleeping, not jumping.”

Of course, Little Snow cannot resist, and whenever Mommy isn’t around, he jumps and jumps. Each time, some feathers fall from his cloud-shaped bed. At one point, he jumps extra high and the bed tears, releasing a sky full of feathers that falls in a blizzard of snow upon a city’s rooftops. In what is clearly a companion to Lin’s Caldecott Honor book A Big Mooncake for Little Star (2018), this book’s color palette consists of a solid white negative space instead of black, and light-blue snowflakes adorn Little Snow’s white pajamas. As before, a mischievous little protagonist with Asian features is the cause of a natural phenomenon that readers will recognize with satisfaction. The story is clever but simple, without the extra layers of cultural and natural complexity that made Lin’s previous book so exceptional. Lin’s gouache illustrations are an echo of that book as well, with Little Snow’s pajama edges similarly bleeding into the background. It’s still visually intriguing, but this time around, everything feels more stark than luminous. The most delightful spread is the most colorful one, as the snow falls over city buildings full of diverse children peering out the windows, enchanted.

A sweet and clever modern myth that may send readers back to its lauded companion. (Picture book. 4-8)

Pub Date: Oct. 15, 2019

ISBN: 978-0-316-47836-6

Page Count: 40

Publisher: Little, Brown

Review Posted Online: June 22, 2019

Kirkus Reviews Issue: July 15, 2019

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A THOUSAND YEARS

A sweet notion that falls flat.

A hit song reimagined as a book about parental love.

Featured in The Twilight Saga: Breaking Dawn—Part 1, Perri’s “A Thousand Years” deals with the speaker’s fear of romantic love. In picture-book form, it explores a parent’s unwavering love for a child, who grows from an infant into a toddler over the course of the narrative. The caregiver expresses awe when the youngster learns to stand and fear that the child might fall while beginning to walk. “I have spent every day waiting for you,” the parent says. “Darling, don’t be afraid.” What the child might fear isn’t clear from the joyful balloon- and rainbow-filled illustrations. The story borders on cloying, and words that might work when sung and accompanied by music don’t sound fresh on the page: “Time goes by. / You grow ever stronger as you fly.” The refrain, however, is a lovely sentiment: “I have loved you for a thousand years. / I’ll love you for a thousand more.” Perri’s legion of fans may flock to this version, illustrated by Ruiz with sparkling stars, bubbles, and big-eyed toddlers, but it doesn’t hold together as a narrative or an ode, as it’s billed, and it’s a long way from the original song. The child is tan-skinned, the parent is lighter-skinned, and other characters are diverse.

A sweet notion that falls flat. (Picture book. 4-7)

Pub Date: April 1, 2025

ISBN: 9780593622599

Page Count: 32

Publisher: Viking

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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