ONCE UPON A BOOK

Fall into a story.

It’s a dreary, wintry day, and Alice is tired of it and of being inside. But a book catches her attention. “Once upon a time, there was a girl,” it reads. The characters invite her in: “Turn the page and come in….” And in Alice goes, traveling through worlds before eventually returning home. Lin and Messner’s spectacular collaboration celebrates books and reading. Repeated refrains and elements in plot structure make for a rhythmic read-aloud that builds deftly to a heartwarming conclusion. Lin’s signature illustrations, done in gouache, are filled with detail. Full-bleed, double-page spreads as well as close-up, overhead illustrations of the book held by Alice’s hands will immerse readers in the storytelling alongside the protagonist. Lin plays with style to signal the narrative progression. Alice wears a dress made of text-filled book pages, signaling that she’s a child of stories, that transforms into the background of each place she becomes a part of—from the green of jungles and the tan of deserts to the blue, gray, and black of the sky. To similar effect, when Alice turns the page and learns about a new place, the setting is flatter in dimension and simpler, but when she enters it, textures, light, shadows, and more flourish. Details in decor cue Alice and her family as being of Chinese or Taiwanese heritage. (This book was reviewed digitally.)

A spellbinding ode to imagination and the transformative wonder of stories.