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THE NUTCRACKER

A disappointing effort that fails to capture the magic inherent in the ballet.

This large-format retelling of the story from the popular holiday-season ballet focuses on the family party scene and the battle between the mice and the soldiers, with just a brief concluding visit to the Land of Sweets.

The story begins with a full page of text setting the scene for the party and the forthcoming conflict between Clara and her brother, “mischief-making Fritz.” The text in the rest of the book is set off in shorter text blocks on each page, at the top or bottom of full-page illustrations, sometimes obscuring part of the illustration in an intrusive way. The first 16 pages of the book focus on the party, with scenes of dancing, entertainment, and the children playing with their toys. The boys and girls in the party scenes look remarkably alike, almost all with dark hair and eyes, olive skin, and little variation in facial shape. This lack of differentiation among the child characters is also an issue with the boy who is freed from that Nutcracker enchantment, as he and Clara look like brother and sister. The illustration style is dark and surrealistic, with a shadowy, ominous atmosphere overall and a distinctly scary Godfather Drosselmeyer. The charms of the Land of Sweets are tasted only briefly in just one spread showing dancers from different countries.

A disappointing effort that fails to capture the magic inherent in the ballet. (bibliography) (Picture book. 5-8)

Pub Date: Sept. 20, 2016

ISBN: 978-1-4998-0281-8

Page Count: 40

Publisher: Little Bee Books

Review Posted Online: Aug. 16, 2016

Kirkus Reviews Issue: Sept. 1, 2016

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HOW TO CATCH A MONSTER

From the How To Catch… series

Only for dedicated fans of the series.

When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.

“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.

Only for dedicated fans of the series. (Picture book. 5-8)

Pub Date: Sept. 1, 2017

ISBN: 978-1-4926-4894-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: July 14, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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MAI'S ÁO DÀI

Thoughtful and joyful.

A child of Vietnamese descent fantasizes about the perfect outfit for Tết.

One night, Mai dreams about being a big “STAAAAAAR” and fielding questions on the red carpet. Mai’s literal dream dress is a sparkly silver ballroom gown with a sweetheart cut. After waking up, the child is eager to tell Ba all about it, but first it’s time to get ready. It’s the first day of Tết, or Lunar New Year, and the family plans to celebrate at Mai’s grandmother’s house. Though Mai loves visiting Bà Nội, the child balks at donning the áo dài, a Vietnamese outfit consisting of a tunic worn over trousers. “Stars wear dresses and gowns,” Mai tells Ba. But Ba shows Mai the family photo album, explaining that Bà Nội had her own sewing school in Vietnam and that her students lovingly dubbed her the “Queen of Áo Dài.” To keep their traditions alive when the family emigrated, Bà Nội continued to make áo dài for her loved ones, and the children learned to sew them as an expression of love. Finally, with a newfound appreciation for the garment, Mai greets Bà Nội with a hug, clad in a customized áo dài made by Ba. Told entirely through naturally expressed and well-paced dialogue and accompanied by vividly textured illustrations, this is a loving tale of a family finding a creative way to reshape a beloved tradition.

Thoughtful and joyful. (glossary, “let’s design our own áo dài” activity) (Picture book. 5-8)

Pub Date: Jan. 7, 2025

ISBN: 9781665917346

Page Count: 40

Publisher: Caitlyn Dlouhy/Atheneum

Review Posted Online: Jan. 18, 2025

Kirkus Reviews Issue: Feb. 15, 2025

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