As in Helen Oxenbury’s world, this home offers a stimulating environment where an endearing explorer employs his senses to...
An irrepressible, biracial baby crawls toward trouble at every turn, only to hear the titular refrain from safety-conscious family members.
Translucent watercolors and loose lines capture the postures and behaviors of this busy child in a most convincing manner. The cycle of mild tension and relief repeats itself as he dumps and explores the contents of mother’s purse, ascends the bookcase or proceeds toward the dog food. Each time, the tot’s trajectory is diverted before disaster strikes. Nichols’ blend of informal and precise rhymes—within a pattern of gerunds describing the baby’s actions, followed by declarative sentences voicing the reprimands—yields a lively patter that scans reasonably well (if not always perfectly): “Climbing / up Grandpa / like a / mountaineer / Grabbing / at those glasses / he likes to wear… ‘Whoa, / Baby, whoa! / You sure like doing that / but without my glasses / I’m blind as a bat.’ ” Humor is transmitted through the images as visually challenged Grandpa addresses the dog, while Baby sports the senior’s spectacles. The rhythm is supported through the use of a larger and darker type for accented beats. Words wobble, and letters are formed unevenly, mirroring the endless motion of the protagonist. Readers will be delighted to hear a new response when Baby takes his first steps.
As in Helen Oxenbury’s world, this home offers a stimulating environment where an endearing explorer employs his senses to learn and grow. (Picture book. 1-3)Pub Date: Feb. 1, 2012
ISBN: 978-1-59990-742-0
Page Count: 32
Publisher: Bloomsbury
Review Posted Online: Dec. 2, 2011
Kirkus Reviews Issue: Dec. 15, 2011
BOOK REVIEW
BOOK REVIEW
Perfect for Valentine’s Day, but the syrupy sweetness will cloy after the holiday.
Animal parents declare their love for their offspring in alphabetical order.
Each page displays an enormous capital letter, one line of verse with the keyword capitalized, and a loving nonhuman parent gazing adoringly at their baby. “A is for Always. I always love you more. / B is for Butterfly kisses. It’s you that I adore.” While not named or labelled as such, the A is also for an alligator and its hatchling and B is for a butterfly and a butterfly child (not a caterpillar—biology is not the aim of this title) interacting in some way with the said letter. For E there are an elephant and a calf; U features a unicorn and foal; and X, keyed to the last letter of the animal’s name, corresponds to a fox and three pups. The final double-page spread shows all the featured creatures and their babies as the last line declares: “Baby, I love you from A to Z!” The verse is standard fare and appropriately sentimental. The art is cartoony-cute and populated by suitably loving critters on solid backgrounds. Hearts accent each scene, but the theme of the project is never in any doubt.
Perfect for Valentine’s Day, but the syrupy sweetness will cloy after the holiday. (Board book. 1-3)Pub Date: Dec. 1, 2020
ISBN: 978-1-7282-2095-6
Page Count: 28
Publisher: Sourcebooks Wonderland
Review Posted Online: Jan. 26, 2021
Kirkus Reviews Issue: Feb. 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Guess how much you’ll be reading this.
Parent and child share a day of small adventures and cozy snuggles.
That the two happen to be tortoises is totally beside the point. Die-cut holes and shaped edges turn nearly every page flip into a surprise. Following a parental “Good morning, Baby” to greet the youngling’s “Wake up, wake up, I want to play… / The sun is up, it’s a brand new day!” the two reptiles ramble off to munch on leaves, weather a sudden rain shower, discover a flock of butterflies, climb a hill, watch the moon rise, and, at last, weary little one perched on top, settle down to snooze again. The paper engineering is ingenious. Turning a seemingly arbitrarily shaped page with a special window framing a pink butterfly fills the spread with many jewel-toned insects; even though the tortoises never change position, the scene is completely transformed. Hegarty’s rhymed narrative features lots of tender sentiments—“Wherever you are, wherever you go, / Baby, I’ll always love you so”—while steering clear of any gender references. In Elliott’s peaceful, grassy settings the wanderers’ small smiles and shared glances likewise create a sense of loving intimacy. This is likely to become a victim of its own appeal, being as the paper stock is rather too flimsy to survive much contact with toddler hands. Still, a clear winner for sharing with audiences of one or dozens.
Guess how much you’ll be reading this. (Novelty. 18 mos.-3)Pub Date: Aug. 3, 2021
ISBN: 978-1-7282-3509-7
Page Count: 32
Publisher: Sourcebooks Wonderland
Review Posted Online: Sept. 23, 2021
Kirkus Reviews Issue: Oct. 15, 2021
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